* April, 1894.
Most of our readers will recollect the controversy that was carried on, more than twelve months ago, in the columns of the Daily Chronicle. Mr. Robert Buchanan had published his new poem, "The Wandering Jew," in which Jesus Christ was depicted as a forlorn vagrant, sick of the evil and infamy wrought in his name, and for which he was historically though not intentionally responsible. This poem was reviewed by Mr. Richard Le Gallienne, a younger poet, who is also a professional critic in the Star, where his weekly causerie on books and their writers is printed over the signature of "Logroller." Mr. Le Gallienne took Mr. Buchanan to task for his hostility to "the Christianity of Christ," the nature of which was not defined nor even made intelligible. Mr. Buchanan replied with his usual impetuosity, declining to have anything to do with Christianity except in the way of opposition, and laughing at the sentimental dilution which his young friend was attempting to pass off as the original, unadulterated article. Mr. Le Gallienne retorted with youthful self-confidence that Mr. Buchanan did not understand Christianity. Other writers then joined in the fray, and the result was the famous "Is Christianity Played Out?" discussion in the Chronicle. It was kept going for a week or two, until parliament met and Jesus Christ had to make way for William Ewart Gladstone.
Mr. Le Gallienne hinted that he was preparing a kind of manifesto on the subject of Christianity. The world was to be informed at length as to the "essential" nature of that religion. Divines and Freethinkers had alike misunderstood and misrepresented it. After a lapse of nearly two thousand years the "straight tip," if we may so express it, was to come from "Logroller." He would soon speak and set the weary world at rest with the triumphant proclamation of the real, imperishable religion of Jesus Christ. Presently it was announced, in judicious puffs, that the manifesto was growing under Mr. Le Gallienne's hands. It would take the form of a book, to be entitled The Religion of a Literary Man. The title had little relation to the Galilean carpenter or his fishing disciples. Nor was it in any sense happy. It smacked too much of the "shop." Sir Thomas Browne, it is true, wrote a "Religio Medici," and gave a physician's view of religion; but he was a man of rare genius as well as quaintness, and allowance was to be made for his idiosyncrasy. Besides, there is a certain speciality in a doctor's way of looking at religion, if he compares his knowledge with his faith. But what is the speciality of a literary man on this particular subject? Other trades and professions might as well follow suit, and give us "The Religion of a Porkbutcher," or "The Faith of a Farmer," or "The Creed of a Constable." Even the "Belief of a Barman" is not beyond the scope of a rational probability.
Mr. Le Gallienne's long-promised evangel "burst upon the town" a month ago. The "Religio Scriptoris"—which a puzzler at Latin might render as "The Religion of a Scribbler"—made a dainty appearance. The title-page was in two colors, with a pretty arabesque border. The type throughout was neatly leaded, with a column for summaries in the old fashion, and a wide margin of imitation hand-made paper. The book was pretty, like the writing, and opposite the title-page was a pretty verse:—
'The old gods pass'—the cry goes round,
'Lo! how their temples strew the ground';
Nor mark we where, on new-fledged wings,
Faith, like the phoenix, soars and sings.
Yes, it is all pretty. There is an air of dilettanteism about the whole production. It will probably be grateful to the sentimentalists who, despite their scepticism, still cling to the name of Christian; but we imagine it will rather irritate than satisfy other readers of more strenuous and scrupulous intelligence.
The book is dedicated to "A. E. Fletcher, Esq.," editor of the Daily Chronicle, who may well be proud (not of this dedication, but) of the high position to which he has raised that organ of Radical principles. Mr. Le Gallienne refers to the old controversy in the Chronicle as "raising an important question—to me the most important of questions—as to whether Christianity was really so obsolete to-day as its opponents glibly assume." "I could not stand by," he continues, "and see the sublime figure of Christ vulgarised to make an Adelphi holiday." For this reason, he modestly says, he "ventured to play David to Mr. Buchanan's Philistine." Mr. Fletcher allowed him a battlefield and "thence sprung [he means sprang] the following pages." Thus much for the origin of the work, and now for its character. "I have condensed in its pages," the writer says, "much religious experience, and long and ardent thought on spiritual matters." No doubt he believes this statement, but is it true? Is not the writer too young to have had "much experience"? and where are the traces of the "long and ardent thought"? Mr. Le Gallienne might reply that his thought has been long and ardent, whatever the value of the result; but, in that case, he is not cut out for a thinker; and, indeed, he seems aware of the fact, for he often prints "thinker" in inverted commas to show his disdain of the article. His "one cure" for "modern doubt" is to "think less and feel more," and some may be tempted to remark that he has certainly followed the first part of the prescription.
Mr. Le Gallienne is a long time in coming to "the sublime figure of Christ." He has a considerable ground to cover before he undertakes the cleaning and painting of the old idol. First of all, he has to establish his native superiority over the common herd. He divides the world into "natural spiritualists and materialists." The first have a Spiritual Sense (capitals, please), while the second have not; and "it is obvious that the large majority of mankind belong to the latter class." Mr. Le Gallienne, of course, belongs to the former. He is a member of Nature's (or God's) aristocracy. It is for them that he writes, although on his own supposition the task is superfluous. The common herd of materialists are warned against wasting their time in reading him—which also is somewhat superfluous. The fault of materialists—or rather their misfortune, for they are born that way—is that they are such sticklers for facts, and have "no conception of aught they cannot touch and handle, eat, or see through a microscope." Not, indeed, that Mr. Le Gallienne objects to eating, for instance; he speaks of it with wet lips, and looks down upon the Vegetarian as a person whose "spiritual insight" is not "mercifully intermittent," especially at meal times. But barring meal times, and other fleshly occasions when the spiritualists join the materialists, the former habitually see facts as "transitory symbols" of "transfiguring mysteries," so that the whole world (and perhaps the moon) is "palpitating with occult significance."
For instance. A materialist eats rook-pie, and cares for nothing else but a sound digestion. The spiritualist also eats rook-pie, but after the repast he will sentimentalise over dead rooks, without losing his belief in an all-merciful Providence. He will assure you, indeed, and try to convince you, that the shooting of rooks and the pulling off their heads to prevent the rook-pie from tasting bitter, is simply one of the "terrible and beautiful mysteries" which make the world so interesting—especially to gentlemen of comprehensive natures, who combine a taste for rook-pie with a taste for optimistic theology.
When we come to test Mr. Le Gallienne's conception of mystery, we find it to be nothing but muddle. The whole mystery of life, he says, may be found in a curve: as thus, Why isn't it straight?