| Fêtes on the occasion of the marriage of the Dauphin. 1770. French, | Wyatt Colln. V. & A. Museum. |
| English Fan, painted with medallions of the Visit &c. exhibited at South Kensington in 1870 by the Baroness Meyer de Rothschild. |
It was upon the revocation of the Edict of Nantes, 1685, that the French Huguenots being obliged, through the persecution of their compatriots, to quit their own country, sought refuge in England as well as other countries, where they were received with open arms. Amongst these were a number of éventaillistes, who established an industry, having brought with them, not only the money they had been able to save, but what was still more valuable, their skill as workers, their habitual diligence and thrift. ‘The countries whither they went were enriched by the arts and trades which the French refugees introduced, and still more by the examples of industry, probity, and sincere piety which they exhibited in their own persons.’[121]
In 1709, upon the ‘humble petition of the Ffanmakers that exercise the Art and Mistery of Ffanmaking in London and Westminster and Twenty Miles round,’ a Charter of incorporation was granted by Queen Anne, providing that ‘all Ffanmakers within the prescribed area, and all persons who have served, or shall hereafter serve, as Apprentices to the said Art and Mistery by the space of seven years, and who hereafter, from time to time, shall be Admitted into, or made free of the Society, shall be one Body Corporate and Politick in Deed and in Name, with a common seal, with power to hold lands, and power to sue and defend the same. Power to make bye-laws touching the good estate, Rule, and Government of the Society, and for the Reformation of such abuses and deceits as shall be found to be committed by them either in uttering or making bad and deceitfull works, as also in their several Offices, functions, Misteries, and business touching the said Trade,’ etc.
During the latter half of the seventeenth and the first half of the eighteenth centuries the importation of fans into this country from India, China, and the East was considerable, and, together with the Italian importation, already alluded to, threatened to ruin the home industry. The fanmakers addressed themselves to Parliament, and demanded its prohibition, with the result that a tax of forty shillings a dozen was imposed upon all wooden- and feather-fans, and for a time the importation of all painted fans was prohibited. In 1750 there appear to have been disputes between the Fanmakers’ Company and journeymen fanmakers on account of non-payment of quarterage. Two interesting items of information appear in the Gentleman’s Magazine for October and December 1870 as follows:—
‘On the 28th ult. was try’d a cause between the Company of Fanmakers, incorporated by Charter for the Cities of London, Westminster, and twenty miles round, plaintiffs, and one Wagstaffe, defendant, for quarterage due to them, who was ordered to pay it with costs.’
‘On the 28th ult. was a tryal in the Court of Requests, Westminster, between the Company of Fanmakers, plaintiffs, and some fan-painters, defendants, for non-payment of quarterage, which was determined for the defendants, it appearing that they were not legal members of the said Company.’
The two following items will serve to show the extent of the fan industry in the middle of the eighteenth century, and the adverse conditions under which it laboured.