The beginnings and devolution of power, questions which have so deeply agitated humanity of yore, arise with us in the most natural way in the world. There is always amid the crowd of our genius, a superior genius who is hailed as such by the almost unanimous acclamation of his pupils at first, and next of his comrades. A man is judged in fact by his peers and according to his productions, not by the incompetent or according to his electoral exploits. In the light of the intimate sense of corporate life which binds and cements us one to another, the elevation of such a dictator to the supreme magistracy has nothing humiliating about it for the pride of the senators who have elected him, and who are the chiefs of all the leading schools they themselves have created. The elector who is a pupil, the elector who is an intelligent and sympathetic admirer identifies himself with the object of his choice. Now it is the particular characteristic of a "Geniocratic" Republic to be based on admiration, not on envy, on sympathy, and not on dislike—on enlightenment, not on illusion.
Nothing is more delightful than a tour through our domains. Our towns, which are quite close to one another are severally connected by broad roads which are always illuminated and dotted with light and graceful monocycles, with trains without smoke or whistle, with pretty electric carriages which glide silently along, like gondolas between walls covered with admirable bas-reliefs, with charming inscriptions, with immortal fancies, the outpourings and accumulations of ten generations of wandering artists. Similarly one might have seen in the olden times the scanty remains of some convent where, in the course of ages the monks had translated their weariness of spirit into grinning figures, with hooded heads, into beasts from the Apocalypse, clumsily sculptured on the capitals of the little pilasters or around the stone chair of the Abbot. But what a distance lies between this monkish nightmare and this artistic revelation! At the very most the pretty little gallery which joined across the Arno, the museum of the Pitti Palace, with that of the Uffizi at Florence, could give our ancestors a faint idea of what we see.
If the corridors of our abode possess this wealth and splendour, what shall we say of the dwelling-places, or of the cities? They are filled with heaps of artistic marvels, of frescoes, enamels, gold and silver plate, bronzes and pictures, the acme and quintessence of musical emotions, of philosophic conceptions, of poetic dreams, enough to baffle all description, and weary all admiration. We have difficulty in believing that the labyrinth of galleries, subterranean palaces and marble catacombs, all named and numbered, whose manifold nomenclature recalls all the geography and history of the past, have been excavated in so few centuries. That is what perseverance can do! However accustomed we may be to this extraordinary sight, it still at times happens when wandering alone, during the hours of the siesta, in this sort of infinite cathedral, with its irregular and endless architecture, through this forest of lofty columns, massive or in close formation, displaying in turn the most diversified and grandiose styles, Egyptian, Greek, Byzantine, Arab, Gothic, and reminiscent of all the vanished and venerated floras and faunas, when it is not above all profoundly original ... it happens, I repeat, that panting, and beside ourselves with ecstasy, we come to a standstill, like the traveller of yore when he entered the twilight of a virgin forest, or of the pillared hall of Karnak.
To those who on reading the ancient accounts of travels might perchance have regretted the wanderings of caravans across the deserts or the discoveries of new worlds, our universe can offer boundless excursions under the Atlantic and Pacific Oceans frozen to their very lowest depths. Venturesome explorers, I was going to say discoverers, have in every direction and in the easiest imaginable fashion honeycombed these immense ice-caps with endless passages much in the same way as the termites, according to our palæontologists, bored through the floors of our fathers. We extend at will these fantastic galleries of crystal, which, wherever they cross one another, form so many crystal palaces, by casting on the walls a ray of intense heat which makes them melt. We take good care to drain the water due to the liquefaction into one of those bottomless pits which here and there yawn hideously beneath our feet. Thanks to this method and the improvements it has undergone we have succeeded in cutting, hewing and carving the solidified sea-water. We are able to glide through it, to manoeuvre in it, to course through it on skates or velocipedes with an ease and agility that are always admired in spite of our being accustomed to it. The severe cold of these regions is scarcely tempered by millions of electric lamps which are mirrored in these emerald-green icicles with their velvet-like tints and renders a permanent stay impossible. It would even prevent us crossing them if, by good luck, the earliest pioneers had not discovered in them crowds of seals which had been caught while still alive by the freezing of the waters in which they remain imprisoned. Their carefully prepared skins have furnished us with warm clothing. Nothing is more curious than thus suddenly to catch sight of, as it were through a mysterious glass case, one of these huge marine animals, sometimes a whale, a shark or a devil fish, and that star-like flora which carpets the seas. Though appearing crystallized in its transparent prison, in its Elysium of pure brine, it has lost none of its secret charm, that was quite unknown to our ancestors. Idealised by its very lack of motion, immortalised by its death, it dimly shines here and there with gleams of pearl and mother of pearl in the twilight of the depths below, to the right, the left, beneath the feet or above the head of the solitary skater who roams with his lamp on his forehead in pursuit of the unknown. There is always something new to look forward to from these miraculous soundings, so different from the soundings of former time. Never a tourist has come home without having discovered some interesting object—a piece of wreckage, the steeple of some sunken town, a human skeleton to enrich our prehistoric museums, sometimes a shoal of sardines or cod. These splendid and timely reserves come in very handy for replenishing our bill of fare. But the chief fascination of such adventurous exploration is the sense of the boundless and the everlasting, of the unfathomable and the changeless by which one is arrested and overwhelmed in these bottomless depths. The savour of this silence and solitude, of this profound peace, the sequel to so many tempests, of this almost starless gloaming and twilight with its fleeting gleams, reposes the eye after our underground illuminations. I will not speak of the surprises which the hand of man has lavished there. At the moment when one least expects it one sees the submarine tunnel along which one is gliding, enlarged beyond all measure and transformed into a vast hall in which the fancy of our sculptors has found full play, a temple of vast dimensions with transparent pillars, with walls of enthralling beauty that the eye in ecstasy attempts to fathom. That is often the trysting place of friends and lovers, and the excursion begun in dreamy loneliness is continued in loving companionship.
But we have wandered long enough in these halls of mysteries. Let us return to our cities. One would look, by the bye, in vain for a city of lawyers there, or even, for a court of justice. There is no more arable land and therefore no more lawsuits about property or ancient rights. There are no more walls, and therefore no more lawsuits about party walls. As for felonies and misdemeanours, we do not know exactly why, but it is an obvious fact that with the spread of the cult of art they have disappeared as by enchantment, while formerly the progress of industrial life had tripled their numbers in half a century.
Man in becoming a town dweller has become really human. From the time that all sorts of trees and beasts, of flowers and insects no longer interpose between men, and all sorts of vulgar wants no longer hinder the progress of the truly human faculties, every one seems to be born well-bred, just as every one is born a sculptor or musician, philosopher or poet, and speaks the most correct language with the purest accent. An indescribable courtesy, skilled to charm without falsehood, to please without obsequiousness, the most free from fawning one has ever seen, is united to a politeness which has at heart the feeling, not of a social hierarchy to be respected, but of a social harmony to be maintained. It is composed not of more or less degenerate airs of the court, but of more or less faithful reflections of the heart. Its refinement is such as the race who lived on the surface of earth never even dreamed of. It permeates like a fragrant oil all the complicated and delicate machinery of our existence. No unsociableness, no misanthropy can resist it. The charm is too profound. The single threat of ostracism, I do not say of expulsion to the realms above, which would be a death sentence, but of banishment beyond the limits of the usual corporate life, is sufficient to arrest the most criminal natures on the slope of crime. There is in the slightest inflexion of voice, in the least inclination of the head of our women a special charm, which is not only the charm of former times, whether roguish kindness or kindly roguishness, but a refinement at once more exquisite and more healthful in which the constant practice of seeing and doing beautiful things or loving and being loved is expressed in an ineffable fashion.
VI
LOVE
Love, in fact, is the unseen and perennial source of this novel courtesy. The capital importance it has assumed, the strange forms it has worn, the unexpected heights to which it has risen, are perhaps the most significant characteristics of our civilisation. In the glittering and superficial epochs, age of paper and electro-plating, which immediately preceded our present era, love was held in check by a thousand childish needs, by the contagious mono-mania of unsightly and cumbersome luxury or of ceaseless globe-trotting, and by that other form of madness which has now disappeared, the so-called political ambition. It suffered accordingly an immense decline, relatively speaking. To-day it benefits from the destruction or gradual diminution of all the other principal impulses of the heart which have taken refuge and concentrated themselves in it as banished mankind has done in the warm bosom of the earth. Patriotism is dead, since there is no longer any native land, but only a native grot. Moreover the guilds which we enter as we please according to our vocations have taken the place of Fatherlands. Corporate spirit has exterminated patriotism. In the same fashion the school is on the road not to exterminate but to transform the family, which is only right and proper. The best that can be said for the parents of old was that they were compulsory and not always cost-free friends. One was not wrong in preferring in general to them friends who are a species of optional and unselfish relations. Maternal love itself has undergone a good many transformations among our women artists, and one must admit, sundry partial set backs.