| Transcriber's note: although a number of obvious typographical errors in the printed work have been corrected, the original orthography of the book has been retained. This includes a number of compound words, normally hyphenated, which retain their hyphenlessness. |
|
The CHILD OF PLEASURE GABRIELE D'ANNUNZIO TRANSLATED BY GEORGINA HARDING VERSES TRANSLATED BY ARTHUR SYMONS INTRODUCTION BY ERNEST BOYD THE MODERN LIBRARY PUBLISHERS :: :: NEW YORK |
| The CHILD OF PLEASURE |
GABRIELE D'ANNUNZIO |
| TRANSLATED BY GEORGINA HARDING VERSES TRANSLATED BY ARTHUR SYMONS |
INTRODUCTION BY ERNEST BOYD |
|
|
| THE MODERN LIBRARY |
| PUBLISHERS :: :: NEW YORK |
Manufactured in the United States of America Bound for the modern library by H. Wolff
CONTENTS
INTRODUCTION
It is characteristic of the atmosphere of legend in which Gabriele d'Annunzio has lived that even the authenticity of his name has been disputed. It was said that his real name was Gaetano Rapagnetta, and the curious will find amongst the Letters of James Huneker the boast that he was the first person to reveal to America the fact that d'Annunzio's name was "Rapagnetto"—a purely personal contribution to the legend. Yet, the plain fact, as proven by his birth certificate, is that the author of "The Child of Pleasure" was born at Pescara, on the 12th of March, 1863, the son of Francesco Paolo d'Annunzio and Luisa de Benedictis. Il Piacere, to give this novel its Italian name, was published when d'Annunzio was only twenty-six years of age, and except for an unimportant and imitative volume of short stories, it was his first sustained prose work. It is the book which at once made the novelist famous in his own country and very soon afterwards in England and France, where it was the first of his works to be translated. In America d'Annunzio was already known as the author of a powerful realistic novelette, "Episcopo & Co.," which was published in Chicago in 1896, two years before "The Child of Pleasure" appeared in London. As has so often happened since, America led the way in introducing into the English language a writer who is one of the foremost figures in Continental European literature.