She was dressed in ivory-white brocade trimmed with sable. A narrow band of fur edged the low bodice and imparted an indescribable delicacy to the tints of the skin. The line of the shoulders, from the neck to the top of the arms, had that gracious slope which is such a sure mark of physical aristocracy and so rare nowadays. In her magnificent hair, arranged in the manner affected by Verocchio for his busts, there was not one jewel, not one flower.

At two or three propitious moments, Andrea murmured words of passionate admiration in her ear.

'This is the first time we have met in society,' he said to her. 'Give me a glove as a souvenir.'

'No.'

'Why not, Maria?'

'No, no. Be quiet.'

'Oh, those hands of yours! Do you remember when I copied them at Schifanoja? I feel as if I had a right to them; as if you ought to grant them to me; of your whole person they are the part that is most intimately connected with your soul, the most spiritualised, almost, one might say, the purest—Oh, hands of kindness—hands of pardon. How dearly I should love to possess at least a semblance of their form, some token to which their delicate perfume still clings. You will give me a glove before you leave?'

She did not answer. The conversation dropped. A short time afterwards, on being asked to play, she consented, and drawing off her gloves laid them on the music-stand in front of her. Her fingers, tapering and glittering with rings, looked very white as she drew off their delicate covering. On the ring finger of her left hand blazed a great opal.

She played the two Sonata-Fantasias of Beethoven (Op. 27). The one, dedicated to Giulietta Guicciardi, expressed a hopeless renunciation, told of an awakening after a dream that had lasted too long. The other, from the first bars of the Andante, described by its full smooth rhythm the calm that comes after the storm; then, passing through the disquietude of the second movement, opened out into an Adagio of luminous serenity, and ended in an Allegro Vivace in which there was a rising note of courage, almost of fervour.

Though surrounded by an attentive audience, Andrea felt that she was playing for him alone. From time to time, his eyes wandering from the fingers of the pianist to the long gloves hanging from the music stand, which still retained the form of those hands, still preserved an inexpressible charm in the small opening at the wrist where, but a short time ago, a tiny morsel of her soft flesh had been visible.