Heedless of introductions or greetings, his torment increased with every moment of this fruitless expectation, and he roamed aimlessly from room to room. That 'perhaps' made him sadly afraid that Elena would not come. And supposing she really did not? When was he likely to see her again? Donna Bianca Dolcebuono passed, and, almost without knowing why, he attached himself to her side, saying a thousand agreeable things to her, feeling some slight comfort in her society. He had the greatest desire to speak to her about Elena, to question her, to reassure himself; but the orchestra struck up a languorous mazurka and the Florentine countess was carried off by her partner.
Thereupon, Andrea joined a group of young men near one of the doors—Ludovico Barbarisi, the Duke di Beffi, Filippo del Gallo and Gino Bomminaco. They were watching the couples, and exchanging observations not over refined in quality. One of them turned to Andrea as he came up.
'Why, what has become of you this evening? Your cousin was looking for you a moment ago. There she is dancing with my brother now.'
'Look!' exclaimed Filippo del Gallo—'the Albonico has come back, she is dancing with Giannetto.'
'The Duchess of Scerni came back last week,' said Ludovico; 'what a lovely creature!'
'Is she here?'
'I have not seen her yet,'
Andrea's heart stopped beating for a moment, fearing that something would be said against her by one or other of these malicious tongues. But the passing of the Princess Issé on the arm of the Danish Minister diverted their attention. Nevertheless, his desire for further knowledge was so intense, that it almost drove him to lead back the conversation to the name of his lady-love. But he was not quite bold enough. The mazurka was over; the group broke up. 'She is not coming! She is not coming!' His secret anxiety rose to such a pitch that he half thought of leaving the place altogether; the contact of this laughing, careless throng was intolerable.
As he turned away, he saw the Duchess of Scerni entering the gallery on the arm of the French ambassador. For one instant their eyes met, but that one glance seemed to draw them to each other, to penetrate to the very depths of their souls. Both knew that each had only been looking for the other, and at that moment there seemed to fall a silence upon both hearts, even in the midst of the babel of voices, and all their surroundings to vanish and be swept away by the force of their own absorbing thought.
She advanced along the frescoed gallery where the crowd was thinnest, her long white train rippling like a wave over the floor behind her. All white and simple, she passed slowly along, turning from side to side in answer to the numerous greetings, with an air of manifest fatigue and a somewhat strained smile which drew down the corners of her mouth, while her eyes looked larger than ever under the low white brow, her extreme pallor imparting to her whole face a look so ethereal and delicate as to be almost ghostly. This was not the same woman who had sat beside him at the Ateleta's table, nor the one of the Sale Rooms, nor the one standing waiting for a moment on the pavement of the Via Sistina. Her beauty at this moment was of ideal nobility, and shone with additional splendour among all these women heated with the dance, over-excited and restless in their manner. The men looked at her and grew thoughtful; no mind was so obtuse or empty that she did not exercise a disturbing influence upon it, inspire some vague and indefinable hope. He whose heart was free imagined with a thrill what such a woman's love would be; he who loved already conceived a vague regret, and dreamed of raptures hitherto unknown; he who bore a wound dealt by some woman's jealousy or faithlessness suddenly felt that he might easily recover.