She spoke with little pauses in between. Her voice was so warm and insinuating in tone that it almost had the effect of a caress, and her glance had that unconsciously voluptuous and disturbing expression which instantly kindles the desire of every man on whom it rests.
'Cavaliere Sakumi!' announced the servant, as the eighth and last guest made his appearance.
He was one of the secretaries to the Japanese Legation, very small and yellow, with prominent cheek-bones and long, slanting, bloodshot eyes over which the lids blinked incessantly. His body was disproportionately large for his spindle legs, and he turned his toes in as he walked. The skirts of his coat were too wide, there was a multitude of wrinkles in his trousers, his necktie bore visible evidence of an unpractised hand. It was as if a daimio had been taken out of one of those cuirasses of iron and lacquer, so like the shell of some monstrous crustacean, and thrust into the clothes of a European waiter. And yet, with all his ungainliness and apparent stupidity there was a glint of malice in his slits of eyes and a sort of ironical cunning about the corners of his mouth.
Arrived in the middle of the room, he bowed low. His gibus slipped from his hand and rolled over the floor.
At this, the Baroness d'Isola, a tiny blonde with a cloud of fluffy curls all over her forehead, vivacious and grimacing as a young monkey, called to him in her piping voice:
'Come over here, Sakumi—here, beside me.'
The Japanese cavalier advanced with a succession of bows and smiles.
'Shall we see the Princess Issé this evening?' asked Donna Francesca d'Ateleta, who had a mania for gathering in her drawing-rooms all the most grotesque specimens of the exotic colonies of Rome, out of pure love of variety and the picturesque.
The Asiatic replied in a barbarous jargon, a scarcely intelligible compound of English, French, and Italian.
For a moment everybody was speaking at once—a chorus through which now and then the fresh laughter of the Marchesa rang like silver bells.