The spot chosen for the encounter was a path at the side of the villa, in the shade, and covered with fine rolled gravel. Rutolo was already stationed there, at the further end, with Roberto Casteldieri and Carlo di Souza. Everybody wore a grave, not to say solemn, air. The two adversaries were placed opposite to one another and their eyes met. Santa Margherita, who had the direction of the combat, noticed that Rutolo's shirt was very stiffly starched and the collar too high. He remarked upon it to Casteldieri who exchanged a few words with his principal, and Sperelli saw the blood rush to his adversary's face while he proceeded resolutely to divest himself of his shirt. Andrea with cold composure followed his example. He then turned up his trousers and Santa Margherita handed him the glove, the strap and the rapier. He armed himself with scrupulous care, and shook his weapon slightly to see that he had it well in hand. The movement brought out the play of his biceps very visibly bearing witness to long practice of the arm and the strength it had thereby acquired.
When the two combatants measured their swords for the distance, that of Giannetto Rutolo shook convulsively. After the usual set phrases as to the honour and good faith of the combatants, Santa Margherita gave the word in a ringing powerful voice.
'Gentlemen—on guard!'
The duellists threw themselves on guard simultaneously; Rutolo, with a stamp of the foot, Sperelli, bending forward lightly. Rutolo was of medium height, very slender, all nerves, with an olive face, to which the curled moustaches and the little pointed beard à la Charles i. in Van Dyck's pictures lent a certain piquant and dashing air. Sperelli was taller, more dignified, admirable of attitude, calm and collected, perfectly balanced between grace and strength, his whole person proclaiming the grand seigneur. They looked each other full in the eye, and each experienced a curious internal thrill at the sight of the bare flesh against which he pointed his sharp blade. Through the silence came the fresh murmur of the fountain mingled with the rustle of the breeze among the climbing rose-bushes, where innumerable yellow and white roses nodded their fragrant heads.
'Play!' cried the Baron.
Andrea was prepared for an impetuous attack from Rutolo, but the latter did not move. For about a minute, they stood watching each other closely without ever crossing swords, almost motionless. Sperelli bending his knees still more, on guard with the point low, assumed the tierce guard and sought to provoke his adversary by the insolent challenge of his eyes and by stamping his foot. Rutolo made a step forward with a menace of straight thrust, accompanying it with a cry after the manner of certain Sicilian fencers. The duel began.
Sperelli avoided any decisive movement, restricting himself to parrying only, forcing his opponent to discover his intentions, to exhaust all his methods, to bring out his whole repertoire of sword-play. His parries were neat and rapid, never yielding a foot of ground, admirable in precision, as if he were taking part in a fencing match in the school with blunt foils; whereas Rutolo attacked him warmly, accompanying each thrust with a hoarse cry like that of the wood-cutters when they use their hatchets.
'Halt!' cried Santa Margherita, whose vigilant eye marked every flash of the blades.
He went up to Rutolo, 'You are touched, if I am not mistaken,' he said.
True, Rutolo had a scratch on the forearm, but so slight that there was no need even of sticking-plaster. Nevertheless, he was breathing hard, and his livid pallor bore witness to his suppressed anger.