A savage scene lay at our feet on every side in the glaring light. The chain of rocks, bare and clear in their desolate barrenness to their remotest passes, stretched away like a mass of gigantic and monstrous relics, left for the amazement of mankind as traces of some primeval battle of the Titans. Ruined towers, broken walls, fallen citadels, crumbled domes, tottering porches, mutilated colossi, prows of vessels, backbones of monsters, bones of Titans, every kind of monstrosity was simulated by the jutting peaks and dark ravines of this formidable range. The distance was so transparent that I could distinguish every outline as clearly as if my eyes were beholding, on an infinitely larger scale, the rock which Violante had shown me from the window-sill with that creative sweep of her hand. The most distant peaks were engraved on the sky with the same precise sharpness of outline which the sloping sides of the crater close at hand assumed in the reflected rays of the sun. The vast mouth of the spherical crater gaped with a kind of eddying vehemence in the expression of its curves; it was like a whirlpool, although inert. In part grey like ashes, elsewhere red like rust, it was crossed here and there by long white streaks that sparkled like salt, and were reflected in the metallic calm of the water which had gathered at the bottom. And opposite us, overhanging the edge of the precipice like a petrified flock of sheep, was Secli, the solitary hermit-like village, where from time immemorial a small industrious population has busied itself in making strings for musical instruments.
“You are tired,” I said to my dear companion, trying to draw her under the shadow of a boulder, which I thought might screen her on one side at least from the sight of the space below, and give her back a sense of security. “You are tired, Anatolia; you are not used to such fatigue, and perhaps this view is rather terrible.... Lean back here and close your eyes for a little. I will stand beside you. Here is my arm. I can take you back without any danger. Now close your eyes for a little....”
Again she tried to smile at me.
“No, no,” she said; “don’t trouble, Claudio.”
Then after a pause, in a changed voice, and very low—
“It is not that.... If I closed my eyes, perhaps I should see....”
My heart was trembling like a leaf beneath a sudden breath of wind. And though Anatolia’s face was composed again into an expression of deep but calm sadness, and though a feeling of power over evil seemed diffused through her whole person, vague analogies led me to think of Antonello’s sudden attacks of distress, of that restlessness of his, which was an infallible warning, and of the visions of the future which lit up his pale eyes.
“Do you understand, Anatolia?” I asked, taking one of her hands, for we stood side by side leaning against the rock. “Do you understand that you, you alone, are the companion whose name my heart pronounced that evening when your father kissed my forehead in sign of consent? You rose and left the room softly like a spirit; and I, I don’t know why, imagined that your face was bathed in tears.... Tell me if you are weeping, Anatolia, and if my dream was dear to you!” She did not answer; but as I held her hand, it seemed to me that her purest heart’s blood flowed magnetically to the tips of her fingers.
“That evening,” I added, striving to intoxicate her with hope, “as I went back to Rebursa, I saw a star shining over one of my old towers; and your presence had filled my heart so full of faith, that what was mere chance seemed to me like a divine omen! From that time two figures have shone for me in that radiance.... You know whose the other is. I can hear the first words you spoke to me there on the steps, words which evoked the memory of 'immense kindness.’ All that day the figure your words had called up clung to your side to show me whom she had elected. She herself, on some future evening, will come with me into the dwelling which once was full of her smile, and now is deserted.... Look, down there!”
She looked at the distant towers of Rebursa down in the deep hollow where the hanging clouds were casting great circles of shadow; but her gaze passed on to Trigento, and during the interval marks of an inexpressible inward conflict passed over her face. She shook her head, and drew her hand out of mine.