“Very simple,” Mason told him. “The murderer must have been someone who had access to the parrot, someone who had planned the murder for a long time; someone who intended to pin the crime on Helen Watkins Sabin, since he probably knew nothing of Helen Monteith. Since he knew Sabin usually took the parrot with him when he went to the cabin on the opening of the fishing season, this person, who must have been someone residing in the house, started in educating the parrot to say, ‘Drop that gun, Helen... don’t shoot... My God, you’ve shot me!’ The whole crime had been carefully planned. Sabin was due to appear on Monday, the fifth, pick up the parrot, and go to the cabin for his fishing. The murderer had his plans all arranged, even to his manufactured alibi.

“And then, Sabin upset plans somewhat by appearing on the second and picking up the parrot. Taking the parrot with him, he heard the bird suddenly spring his new lines — ‘Drop that gun, Helen... don’t shoot... My God, you’ve shot me!’

“Probably no one will ever know just what happened after that, but Sabin either felt that his life was in danger, or else Casanova’s repeated statements got on his nerves. He wanted to have a parrot around him, either because he liked parrots, or because in some way he wanted to fool the potential murderer — and I’m frank to confess that this substitution of the parrots has me guessing, and I won’t rest until I’ve found out — if I ever can — just what was back of it.

“This much we do know: Sabin became alarmed. He switched parrots and got Miss Monteith to get a gun for him. Despite those precautions, he was murdered. The murderer naturally assumed that the parrot in the cage was Casanova, and took excellent steps to see that it didn’t die before Sabin’s body was discovered.

“Sabin, in the meantime, thought that he was getting a divorce — that is, he thought his wife was getting one. He thought that he would soon be free to follow up the bigamous marriage ceremony in Mexico with a perfectly legal marriage ceremony elsewhere.

“Waid, lying in wait in the cabin, in which he had ensconced himself so that he could overhear all the telephone conversations which took place over Sabin’s telephone, was waiting for the proper moment to strike.”

“Why was he so anxious to hear the telephone conversations?” the sheriff inquired.

“Because the success of his entire plan depended upon leaving in an airplane with Steve Watkins, at such a time that it would apparently give him an alibi. The only excuse they had to do this was the appointment Sabin had made to pay over a hundred thousand dollars to his wife in New York. He knew that Sabin was in constant telephone communication with his wife in Reno. Therefore, he had to be certain that nothing went wrong.

“While he was listening on the telephone, he heard Sabin put in a call for Bolding, the examiner of questioned documents, realized suddenly that if Sabin sent Bolding the specimens of handwriting of all the persons with whom he’d had business dealings, those handwriting specimens would include some of his own; that the handwriting expert would break down the endorsements on the back of those forged checks, and brand him as a forger. He realized, suddenly, that whatever he was to do had to be done swiftly. I think he had intended to wait until eight o’clock before committing the murder. He had his string of fish already caught, the evidence all ready to plant. Then, that telephone call came through. He knew that he had to get to Sabin before those documents went into the mail, so he jumped up and ran out of the cabin without even pausing to pick up the cigarette he had laid down on the table when he heard the telephone call come through.”

“Why didn’t you tip us off so we could grab Waid?” the sheriff grumbled.