Aaron Breakspeare, grandson of the founder, and Enoch, son of Christopher Gib, being of the same age, inheriting parallel estates in a town realized from a joint impulse of their forbears, grew up together. They were never friends. They were rivals, unable to conceal or control their rivalry, the essence of which was antagonism. But they were inseparable. They could not let each other alone. Enoch was the stronger physically. In their earliest games and contests his object was to make Aaron say, “I quit.” And Aaron would sooner die than say it. In this strife Enoch had always the advantage of a definite, aggressive purpose. He created the occasions. Instinctively he knew that the way to save oneself in a trial of endurance is to keep one’s mind not on one’s own discomfort but on the agony of one’s adversary.
Aaron’s power was of pride and spirit. He would never say quit, no matter how much it hurt to go on, and when he was beaten he did not complain. Once Enoch invented a way of locking their arms so as to exert a mutual and very painful torsional leverage, perhaps enough to break the bones. The game was that each should go as far as the other could stand it. All the other had to do was to say enough. It was fairly played. But the word was never uttered and Aaron went home with a broken arm.
The imponderable values of life,—admiration, sympathy, sudden friendships, understanding, liking and being liked,—belonged to Aaron as by right. He was that kind of being toward whom the heart yearns for no reason but its own. Men and women loved him without knowing why. The people of New Damascus spoke of him with possessive affection and worldly misgiving; he would do himself no good, they said. That means whatever you make of it.
Enoch, pretending to be contemptuous, was secretly torn with envy. People looked at him and said: “The spit image of his father.” He had many of old Christopher’s facial expressions, especially one that was unnatural and very disconcerting. Anger or any strong adverse emotion caused the face to appear to be smiling. It wasn’t; nor was the expression assumed as a mask. The effect was accidental, produced by some peculiarity in the action of the retractor muscles. He was by nature more saturnine than his father, or perhaps it was only that he more indulged the impulse to cruelty. At fifteen he was already feared by his elders for what he might say.
His character developed in a true line. The traits of his youth became only more pronounced as he grew up. To take the pride out of Aaron became almost a passion. He delighted to expose his frailties and limitations. Aaron bought a fast horse. Enoch hating horses bought a faster one and drove it to death. Aaron on a dare swam the river at flood, which was thought a fine feat. Enoch swam it with his legs tied.
Aaron apparently did not mind. If he suspected the envious motive in Enoch’s conduct he never spoke of it, but generously applauded the other’s triumphs. Whatever else happened their intimacy remained unbroken. This seemed to be no more of one’s seeking than the other’s. Those of their own generation wondered, but the elders, hearing it spoken of, said it was no more strange than the way General Woolwine held with Christopher to the end of his days, though it more than half ruined him.
They went to the same school at Philadelphia. Enoch worked just hard enough to beat Aaron in everything except mathematics and popularity, and spent a great deal of his leisure prowling about the iron foundries. They fascinated him. There was iron in the blood of his family. His grandfather and great-grandfather had been smiths in England. And his father had laid upon him one injunction, which was never to part with an acre of ore or coal land, for some day these undeveloped possessions would make him rich. Then secretly he took up the study of metallurgy.
Yet it was Aaron who proposed to Enoch that they should pool their interests in ore and coal and found an iron industry at New Damascus. This fatal thing happened sometime between midnight and dawn after a disastrous twin celebration of their twenty-first birthday with a party of friends at Fingerboard Inn.
Aaron’s mood was sentimental. He felt a great twinge for Enoch, because of what occurred at the party. He himself was the one to blame. First he had demanded of his friends, when he heard what they were doing, that they should invite Enoch, too, as an equal guest; then with great difficulty, he had persuaded Enoch to come. It was bound to be dismal. Only one of Aaron’s reckless spontaneity could have imagined otherwise.
An archaic, mystical man rite survives in the panegyric supper. The root is hero worship. The impulse is exacting, jealous and sacrificial. Its chosen object, according to the rules, must submit to be clothed in the colors of perfection, set upon a pedestal and gorged with praise until he is purple. As the hero’s embarrassment rises his makers become more solemn and egregious, until suddenly with rough hands they drag their colossal effigy down and embrace it and everything, itself included, dissolves in maudlin ecstasy.