When Renny, the Syrian, had been enrolled among the retainers of Menna, the Overseer had affected to see much of him. He went to the length of separating Renny from Beq and the native Egyptian craftsmen attached to his house. He even provided Renny with a studio to himself.

To this workshop Menna himself would come at times, ostensibly to seek instruction in modeling, sculpture and wood-carving. As a matter of fact his visits were prompted by the desire to use Renny and his art as in former times he had that of Beq and the native craftsmen.

Renny fell in with this whim of his powerful patron. Many a minor ornament, such as a small lotus bowl, incense-spoon or sacred image, had Renny produced, without neglecting to leave some slight detail for the handsome Overseer to finish. Renny’s artistic productions Menna incontinently made his own, adding his name and titles together with the date of its completion.

Coming from the hand of such a critical student of the arts, these small, but ever choice mementoes were eagerly sought at Court. No one doubted but that they were the work of the gifted Overseer himself.

Of late gifts and mementoes of this sort had suddenly ceased to materialize, and Menna, taxed with laziness by his friends at Court, gave it to be understood that a far more important undertaking now engaged his time. But the true reason of the present inaction of the Overseer was due to Renny, the Syrian.

That unhappy youth, in his constant visits to the Palace to deliver his masters’ gifts and notes to Sesen, had seen all too much of the beautiful Princess.

Yet, a single visit, and that his first, had proved more than enough to cause the beauty-loving Renny to come beneath the spell of Sesen’s haunting loveliness.

Do what he would to conceal his senseless passion, Renny felt that the fire at his heart would mount to his eyes, the surging blood, that seemed ever about to burst his heart, would flame into his cheeks.

At one moment Renny soared into the highest heavens; the next found him plunged into the gloomiest despair. He, an unknown sculptor, a despised foreigner, dared to lift his eyes to an exalted lady of the Egyptian Court!