Having occasion subsequently to visit the private ethnologic collection of Hon. A. F. Coronel, of Los Angeles, California, Dr. Hoffman discovered a clue to the general import of the above record, as well as the signification of some of the characters above mentioned. In a collection of colored illustrations of Mexican costumes some of them probably a century old, he found blankets bearing borders and colors, nearly identical with those shown in the circles in Plate I, d, and Plate II, c, r, w. It is more than probable that the circles represent bales of blankets which early became articles of trade at the Santa Barbara Mission. If this supposition is correct, the cross-lines would seem to represent the cords, used in tying the blankets into bales, which same cross-lines appear as cords in l, Plate II. Mr. Coronel also possesses small figures of Mexicans, of various conditions of life, costumes, trades, and professions, one of which, a painted statuette, is a representation of a Mexican lying down flat upon an outspread serape, similar in color and form to the black and white bands shown in the upper figure of d, Plate I, and a, b, of Plate II, and instantly suggesting the explanation of those figures. Upon the latter the continuity of the black and white bands is broken, as the human figures are probably intended to be in front, or on top, of the drawings of the blankets.

BUREAU OF ETHNOLOGY FOURTH ANNUAL REPORT PL. II

PICTOGRAPHS IN SANTA BARBARA COUNTY, CALIFORNIA.

The small statuette above mentioned is that of a Mexican trader, and if the circles in the pictographs are considered to represent bales of blankets, there is a figure in Plate I, d, still more interesting, from the union of one of these circles with that of a character representing the trader, i. e., the man possessing the bales. Bales, or what appear to be bales, are represented to the top and right of the circle d, Plate I, and also upon the right hand figure in l, Plate II. To the right of the latter are three short lines, evidently showing the knot or ends of the cords used in tying a bale of blankets without colors, therefore of less importance, or of other goods. This bale is upon the back of what appears to be a horse, led in an upward direction by an Indian whose head-dress, and ends of the breech-cloth, are visible. Other human forms appear in the attitude of making gestures, one also in j, Plate II, probably carrying a bale of goods. Figure u represents a centipede, an insect found occasionally south of the mountains, but reported as extremely rare in the immediate northern regions. (For x, see page [232].)

Mr. Coronel stated that when he first settled in Los Angeles, in 1843, the Indians living north of the San Fernando mountains manufactured blankets of the fur and hair of animals, showing transverse bands of black and white similar to those depicted, which were sold to the inhabitants of the valley of Los Angeles and to Indians who transported them to other tribes.

It is probable that the pictograph is intended to represent the salient features of a trading expedition from the north. The ceiling of the cavity found between the drawings represented in Plate I and Plate II has disappeared, owing to disintegration, thus leaving a blank about 4 feet long, and 6 feet from the top to the bottom of the original record between the parts represented in the two plates.

Dr. W. J. Hoffman also reports the following additional localities in Santa Barbara and Los Angeles counties. Fifteen miles west of Santa Barbara, on the northern summit of the Santa Ynez range, and near the San Marcos Pass, is a group of paintings in red and black. One figure resembles a portion of a checker-board in the arrangement of squares. Serpentine and zigzag lines occur, as also curved lines with serrations on the concave sides; figures of the sun, groups of short vertical lines, and tree forms, resembling representations of the dragon-fly, and the human form, as drawn by the Moki Indians, and very similar to Fig. e, Pl. II. These paintings are in a cavity near the base of an immense bowlder, over twenty feet in height. A short distance from this is a flat granitic bowlder, containing twenty-one mortar holes, which had evidently been used by visiting Indians during the acorn season. Trees of this genus are very abundant, and their fruit formed one of the sources of subsistence.

Three miles west-northwest of this locality, in the valley near the base of the mountain, are indistinct figures in faded red, painted upon a large rock. The characters appear similar, in general, to those above mentioned.

Forty-three miles west of Santa Barbara, in the Najowe Valley, is a promontory, at the base of which is a large shallow cavern, the opening being smaller than the interior, upon the roof and back of which are numerous figures of similar forms as those observed at San Marcos Pass. Several characters appear to have been drawn at a later date than others, such as horned cattle, etc. The black color used was a manganese compound, while the red pigments consist of ferruginous clays, abundant at numerous localities in the mountain cañons. Some of the human figures are drawn with the hands and arms in the attitude of making the gestures for surprise or astonishment, and negation.