No. 7. A sacred lodge. The four figures at the outer corners of the square represent the young men placed on guard, armed with bows and arrows, to keep away those not members of the band, who are depicted as holding a dance. The small square in the center of the lodge represents the fire-place. The angular lines extending from the right side of the lodge to the vertical partition line are an outline of the subterranean entrance to the lodge.
No. 8. A pine tree, upon which a porcupine is crawling upward.
No. 9. A pine tree, from which a bird (woodpecker) is extracting larvæ for food.
No. 10. A bear.
No. 11. The recorder in his boat, holding aloft his double-bladed paddle to drive fish into a net.
No. 12. An assistant fisherman driving fish into the net.
No. 13. The net.
The figure over the man (No. 12) represents a whale, with harpoon and line attached, caught by the narrator.
It will be understood that all personal customs, such, for instance, as the peculiar arrangement of hair in any tribe, are embodied in their pictorial designation by other tribes and perhaps by themselves. See in this connection, page [230].