Painting upon robes or skins is accomplished by means of thin strips of wood, or sometimes of bone. Tufts of antelope hair are also used, by tying them to sticks to make a brush. This is evidently a modern innovation. Pieces of wood, one end of each chewed so as to produce a loose fibrous brush, are also used at times, as has been observed among the Titon Dakota.
The Hidatsa, Arikara, and other Northwest Indians usually employ a piece of buffalo rib, or a piece of hard wood, having somewhat of an elliptical or lozenge-shaped form. This is dipped in thin glue and a tracing is made, which is subsequently treated in a similar manner with a solution, of glue, water, and color.
INSTRUMENTS FOR TATTOOING.
The Hidatsa say that formerly, when tattooing was practiced, sharp pieces of bone were used for pricking the skin.
The tribes of Oregon, Washington, and northern California used sharp pieces of bone, thorns, and the dorsal spines of fish, though at present needles are employed, as they are more effective and less painful, and are readily procured by purchase.
Needles are used by the Klamath Indians, according to Mr. Gatschet.
Rev. M. Eells reports (Bull. U. S. Geol. and Geog. Survey II, p. 75) that for tattooing the Twana Indians use a needle and thread, blackening the thread with charcoal and drawing it under the skin as deeply as they can bear it.
Stephen Powers says (Contrib. to N. A. Ethnol. III., p. 130) that tattooing among the Yuki is done with pitch-pine soot, and a sharp-pointed bone. After the designs have been traced on the skin the soot is rubbed in dry.
Paul Marcoy mentions in his Travels in South America, N. Y., 1875, Vol. II, 353, that the Passés, Yuris, Barrés and Chumanas, of Brazil, use a needle for tattooing.