Wooden dancing ornaments, such as fanciful representations of the human figure, idols, etc., are generally ornamented with a variety of colors, having them sometimes arranged to represent designs closely related to, if not actually signifying, marks of gentile distinction.
In Alaska, mortuary records are drawn upon slabs of wood. See Figures 113 and 114, page [198]. Mnemonic devices, notices of departure, distress, etc., are also drawn upon thin narrow slips of wood, averaging an inch in width, and of sufficient length. See Figures 58 and 59, page [154]. A circular piece of wood or board is sometimes drawn upon, showing the human face, and placed upon a pole, and facing in a certain direction, to show the course taken by the survivors of a settlement which has been attacked by an enemy. See Figure 50, page [152].
BARK.
The Ojibwa have, until very recently, been in the habit of tracing characters of various kinds upon the inner surface of birch bark. These records are usually mnemonic, though many pertain to personal exploits. An illustration is given in Figure 139, page [218]. The lines appear to have been traced with a sharply-pointed instrument, probably bone, and in some examples the drawings are made by simple puncturing. Sometimes color is applied to the objects delineated, and apparently with reference to specific signification. The strips of bark, varying from an inch to several feet in length, roll up upon drying, and are straightened out for examination by heating near the fire.
SKINS.
This includes scalps. A large number of records upon the hides of animals are mentioned in the present paper. [Plate VI] with its description in the Dakota Winter Counts is one instance.
FEATHERS.
The Sacramento tribes of California are very expert in weaving blankets of feathers, many of them having really beautiful figures worked upon them. This is reported by Edward M. Kern in Schoolcraft, V, 649, 650.
The feather work in Mexico, Central America and the Hawaiian Islands is well known, often having designs properly to be considered among pictographs, though in general not, at least in modern times, passing beyond ornamentation.