Smack the lips. (Ballard.)
Close the hand while the thumb is up, and nod the head and smile as if to approve of something good. (Hasenstab.)
Point the forefinger to the mouth and move the lips with a pleased look as if tasting sweet fruit. (Larson.)
Use the sign for handsome by drawing the outstretched palm of the right hand down over the right cheek; at the same time nod the head as if to say "yes." (Ziegler.)
Deaf-mute signs:
Some of the Indian signs appear to be connected with a pleasant taste in the month, as is the sign of the French and American deaf-mutes, waving thence the hand, either with or without touching the lips, back upward, with fingers straight and joined, in a forward and downward curve. They make nearly the same gesture with hand sidewise for general assent: "Very well!"
The conventional sign for good, given in the illustration to the report of the Ohio Institution for the education of the deaf and dumb, is: The right hand raised forward and closed, except the thumb, which is extended upward, held vertically, its nail being toward the body; this is in opposition to the sign for bad in the same illustration, the one being merely the exhibition of the thumb toward and the other of the little finger away from the body. They are English signs, the traditional conception being acceptance and rejection respectively.
Italian signs:
The fingers gathered on the mouth, kissed and stretched out and spread, intimate a dainty morsel. The open hand stretched out horizontally, and gently shaken, intimates that a thing is so-so, not good and not bad. (Butler.) Compare also the Neapolitan sign given by De Jorio, see Fig. 62, p. [286], supra. Cardinal Wiseman gives as the Italian sign for good "the hand thrown upwards and the head back with a prolonged ah!" Loc. cit., p. 543.