“‘And other ways out that some know of, but by which none are ever admitted, but which exist, nevertheless, in the caves of the Pantheon, in those of the College of Henry IV, of the Hospital of the Undi, of some houses in the Rue d’Enfer, of Vangirard, of the Tombe Issoire at Passy, at Chaillot, at Saint Maur, at Clarenton, at Gentilly-more than sixty. In order to safeguard building construction, an ordinance was made which closed all the openings to the catacombs.
It is that ordinance, my dear M. Longuet, which has almost walled us in.’
“At that moment we struck an enormous pillar. I examined its construction, and said without stopping: ‘Here is a pillar which was used by the architects of Louis XVI in 1778, then of the Consolidation.’
“‘Poor Louis XVI!’ said M. Longuet. ‘He had better have consolidated royalty.’
“M. Longuet had taken the electric lamp from my hands, and did not cease to throw the rays to the right and left, as if he was looking for something. I asked him the reason of this, which would fatigue the eyes.
“‘I am looking for some corpses,’ he said.
“‘Some corpses!’
“‘Skeletons. I have heard that the walls of the catacombs are hung with skeletons.’
“‘Oh, my friend’-I already called him friend, his serenity in such a serious emergency delighting me so much-’that ghastly tapestry is only a little longer than a kilometer. That kilometer justly called an ossuary, on account of the skulls, the radius, the cubitus, tibias, shin-bones, phalanges, the thorax, and other small bones which were made into unique ornaments. But what ornaments! Ornaments of three million skeletons, that were brought from the cemeteries and acropolis of Saint Midard Clucy, Saint Lamdry of the Carmelites, the Benedictines, and of the Innocents.
“‘All bones, the little bones well sorted, arranged, co-ordinated, classified, labeled, which made on the walls and in the cross passages, roses, parallelopipides, triangles, rectangles, volutes, crevices, and many other figures of marvelous regularity.