M. Mifroid calculated that it would take some time to complete this ceremony, and so he devised a plan by which they could deceive the people and escape. They were never long alone, and all day and all night fingers were feeling their faces and were thrust into their eyes, nose or mouth. It was during these operations one night that M. Mifroid devised his plan of escape. He would utilize his powers as a sculptor.
Obtaining some clay from the bed of the lake he modeled two masks like those of the Talfa people with large noses and ears. Then under the pretense of acquiescing in Théophraste’s wishes, who dreamed only of becoming a Talfa, he put one of the masks on his face, and the other he wore himself. The deception was perfect, and although they met several Talfa they were not recognized, in spite of much finger feeling.
M. Mifroid took the precaution of providing himself with food, and they both started out. Théophraste laughed with delight at the bold deception, and in his merriment he did not realize that M. Mifroid had led him out of the domains of the Talfa. They walked for five days. Their eyes had by this time become accustomed to the darkness, and they were able to make good headway. On the fifth day they came across some human bones, and M. Mifroid uttered a prayer of thankfulness, for here were signs of a civilized people. They were on the outskirts of the city of Ossarium.
Théophraste had been in a very depressed state of mind since leaving the Talfa. He had continually reproached M. Mifroid for getting him away. Upon coming upon the first signs of human existence, M. Mifroid drew his attention to them and declared that in a short time they would be out in the light of day again.
Soon they came across a skull with the signs of a candle near it, showing Catholic burial, then the gallery seemed to dip down, the ground became wet, and they found themselves wading through mire. Water dripped on them from crevices above, and the air became cold and damp. At last M. Mifroid recognized a part of the gallery, and again he sent a prayer up to heaven for his deliverance.
There was a Latin inscription cut out of the rock: “Ossa arida audite verbum Domini,” which M. Mifroid recognized as being near an entrance to the catacombs.
They had not proceeded far when voices were heard, and they found themselves in a large vault. This was a very different place than the hall of the Talfa, though. There were ordinary human beings here. Through the whole length of the hall chairs were arranged. The place was lit up by numerous candles enclosed in human skulls. At the end was a kind of rotunda where evidently the musicians sat, for a large circle of music-stands were arranged. A number of people were present getting ready for a feast. No one took any notice of the two strangers, as it was thought that they were invited guests, and they strolled through, watching the proceedings. Soon the musicians began to arrive one by one, and the people sat around making pleasantries, and passing the time away in talk. It was half-past one.
It was indeed a curious sight. Here down among the dead, with coffins and bones all around, had assembled a crowd to listen to music, and to make revelry. Fifty musicians had assembled, among whom M. Mifroid recognized many of the orchestra of the Opera House.
Soon the music started, Chopin’s “Dead March” being the first piece. After listening for some time M. Mifroid tapped Théophraste on the shoulder, whispering to him that it was time to go. They hurried along, and ten minutes later they found themselves on the earth again.
They walked together for about half an hour, neither uttering a word. They were both thinking what a wonderful experience they had gone through. The Talfa nation, with its peculiar habits, had impressed them wonderfully, and neither wished to disturb the other in contemplation of it all.