Théophraste passed his hand over his forehead. He was perspiring and restless. Suddenly breathing a sigh and slapping his thigh with his hand, he appeared to have come to a definite resolution, and put the paper carefully away in his portfolio.
He remembered that Signor Petito, the Italian professor, was an expert in handwriting and that he had had experience in engraving. He would take the document to him and ask his opinion. His friend Adolphe was also interested in graphology, but only in a spiritual way, and so he would not confide in him. There was already too much mystery in the affair without mixing it up with spiritualism and mediums.
He had only known the professor to bow to on the stairs, and so in presenting himself he was introduced. The professor greeted him cordially, and after the usual formalities, Théophraste broached the subject of his visit. He produced the paper, and a letter which he had written some time previously. “Signor Petito,” he commenced, “having heard of your renown as an expert in handwriting, I would be grateful to you if you would examine this letter, and this document, and give me the result of your observations. I may say that there is no connection between the two papers.”
Théophraste was not in the habit of lying, and blushed redder than a peony. But Signor Petito was already deeply engrossed in the examining of the two papers. His scholarly eye looked over one, then the other. He placed them together, held them up to the light, passed his hand over the writing, and measured them. Then he laughed, showing his white teeth.
“Monsieur Longuet,” said he, “it is not necessary for me to keep you waiting long for a reply. This document is in a very bad condition, but the specimen of handwriting can still be read. They are in every way similar to the letter, and I would swear before any tribunal that those two handwritings have been traced by the same hand.”
Then he entered into details. “A child,” he said, “could not be mistaken about it.” He pointed out how this duplicate writing was identically angular. “We call a handwriting angular, Monsieur, when the hair-strokes which join the bottom of the letters and the separate letters are at an acute angle to the down-strokes of the letters. Do you understand? Compare this hook and that one, those hair-strokes with these others, and all those letters getting larger, larger in both writing and in equal measure. But what a clear writing, Monsieur; I have never seen such clear writing before. As clear as if cut with a knife.”
By this time Théophraste had become white with nervousness. Signor Petito thought that he was going to faint. However, he arose, picked up the document and the letter, and having thanked Signor Petito, he went out.
He wandered the streets for a long time, and at last turning down a small street, he stood in front of an old door in the Rue Inger. Entering, he found himself in a narrow, dark passage. A man came out of a back room, and on recognizing Théophraste, greeted him in a friendly way. He was wearing a square paper cap, and had on a black gown which reached down to his feet.
“Good-day, Théophraste, good-day. What happy chance has brought you here?”
As it had been two years since they had last seen each other they at first spoke of family matters and other generalities. Ambrose spoke of his trade of engraving visiting cards. He had been a printer. He had been a printer in the province, but having put all he had into an invention for a new paper, he had failed. He was a distant cousin to Marceline, and when he was deep in financial troubles, Théophraste had come to his rescue.