“What a country! What a country! Caramba!” said the Spanish artist.
The carriage waited a few minutes, then turned back toward the city.
Rouletabille got down the embankment and slowly, taking infinite precautions not to reveal his presence by making the least noise, made his way to where the river is widest. Seen through the blackness of the night the blacker mass of the Trebassof villa loomed like an enormous blot, he stopped. Then he glided like a snake through the reeds, the grass, the ferns. He was at the back of the villa, near the river, not far from the little path where he had discovered the passage of the assassin, thanks to the broken cobwebs. At that moment the moon rose and the birch-trees, which just before had been like great black staffs, now became white tapers which seemed to brighten that sinister solitude.
The reporter wished to profit at once by the sudden luminance to learn if his movements had been noticed and if the approaches to the villa on that side were guarded. He picked up a small pebble and threw it some distance from him along the path. At the unexpected noise three or four shadowy heads were outlined suddenly in the white light of the moon, but disappeared at once, lost again in the dark tufts of grass.
He had gained his information.
The reporter’s acute ear caught a gliding in his direction, a slight swish of twigs; then all at once a shadow grew by his side and he felt the cold of a revolver barrel on his temple. He said “Koupriane,” and at once a hand seized his and pressed it.
The night had become black again. He murmured: “How is it you are here in person?”
The Prefect of Police whispered in his ear:
“I have been informed that something will happen to-night. Natacha went to Krestowsky and exchanged some words with Annouchka there. Prince Galitch is involved, and it is an affair of State.”
“Natacha has returned?” inquired Rouletabille.