“Yes, yes. Labored well! A glorious soldier!” repeated Athanase Georgevitch and Ivan Petrovitch. “Well may he sleep peacefully.”
“Natacha sang like an angel,” said Boris, the first orderly, in a tremulous voice.
“Like an angel, Boris Nikolaievitch. But why did she speak of his heart oppressed? I don’t see that General Trebassof has a heart oppressed, for my part.” Michael Korsakoff spoke roughly as he drained his glass.
“No, that’s so, isn’t it?” agreed the others.
“A young girl may wish her father a pleasant sleep, surely!” said Matrena Petrovna, with a certain good sense. “Natacha has affected us all, has she not, Feodor?”
“Yes, she made me weep,” declared the general. “But let us have champagne to cheer us up. Our young friend here will think we are chicken-hearted.”
“Never think that,” said Rouletabille. “Mademoiselle has touched me deeply as well. She is an artist, really a great artist. And a poet.”
“He is from Paris; he knows,” said the others.
And all drank.
Then they talked about music, with great display of knowledge concerning things operatic. First one, then another went to the piano and ran through some motif that the rest hummed a little first, then shouted in a rousing chorus. Then they drank more, amid a perfect fracas of talk and laughter. Ivan Petrovitch and Athanase Georgevitch walked across and kissed the general. Rouletabille saw all around him great children who amused themselves with unbelievable naivete and who drank in a fashion more unbelievable still. Matrena Petrovna smoked cigarettes of yellow tobacco incessantly, rising almost continually to make a hurried round of the rooms, and after having prompted the servants to greater watchfulness, sat and looked long at Rouletabille, who did not stir, but caught every word, every gesture of each one there. Finally, sighing, she sat down by Feodor and asked how his leg felt. Michael and Natacha, in a corner, were deep in conversation, and Boris watched them with obvious impatience, still strumming the guzla. But the thing that struck Rouletabille’s youthful imagination beyond all else was the mild face of the general. He had not imagined the terrible Trebassof with so paternal and sympathetic an expression. The Paris papers had printed redoubtable pictures of him, more or less authentic, but the arts of photography and engraving had cut vigorous, rough features of an official—who knew no pity. Such pictures were in perfect accord with the idea one naturally had of the dominating figure of the government at Moscow, the man who, during eight days—the Red Week—had made so many corpses of students and workmen that the halls of the University and the factories had opened their doors since in vain. The dead would have had to arise for those places to be peopled! Days of terrible battle where in one quarter or another of the city there was naught but massacre or burnings, until Matrena Petrovna and her step-daughter, Natacha (all the papers told of it), had fallen on their knees before the general and begged terms for the last of the revolutionaries, at bay in the Presnia quarter, and had been refused by him. “War is war,” had been his answer, with irrefutable logic. “How can you ask mercy for these men who never give it?” Be it said for the young men of the barricades that they never surrendered, and equally be it said for Trebassof that he necessarily shot them. “If I had only myself to consider,” the general had said to a Paris journalist, “I could have been gentle as a lamb with these unfortunates, and so I should not now myself be condemned to death. After all, I fail to see what they reproach me with. I have served my master as a brave and loyal subject, no more, and, after the fighting, I have let others ferret out the children that had hidden under their mothers’ skirts. Everybody talks of the repression of Moscow, but let us speak, my friend, of the Commune. There was a piece of work I would not have done, to massacre within a court an unresisting crowd of men, women and children. I am a rough and faithful soldier of His Majesty, but I am not a monster, and I have the feelings of a husband and father, my dear monsieur. Tell your readers that, if you care to, and do not surmise further about whether I appear to regret being condemned to death.”