Our commandant is very tall and upright, with a finely cut jaw, and a round flat beard like the knights in the days of Maximilian of Austria. His manners are above criticism. His natural dignity is relieved by a genial expression of countenance.
He has the equable temper and regulated life of a sage. Precise but never punctilious, he fulfils here the duties of postmaster, money-changer, censor of correspondence, headmaster, major-domo—and does it all without irritability and without giving the impression that he is lowering himself in any way. In his bold, firm, regular, almost heraldic handwriting, he registers the arrival and departure of letters; he enters in the account-book payments we make for haberdashery; he keeps memoranda of the interminable series of money-orders. He works deliberately, making neat rows of figures, using a ruler whenever he wishes to draw a line, and taking great care not to ink his long white fingers or to make blots on the large folios of ministerial paper. There is not a speck of dust on his writing-table; everything is neatly laid out in squares, as in a French garden. Behind him, on the top of the closed wash-hand stand, a lemon, cut in two exactly equal halves, a loaf of ration bread, cut with precision, and a glass of fresh water, combine to form a picture as definite and sober as a scene of still life by Chardin. The casemate is well-lighted, vast, and in keeping with its tenant. A narrow iron bedstead, a trunk, a clothes-hanger upon which are seen a Mütze, a long grey cape, and a sword; two deal tables standing end to end, one for himself and the other for d’Arnoult, his secretary; a small dressing-table, three chairs—this comprises all the furniture. In this formal, cold, geometrical environment sits the huge man (much too large for his table, so that his arms and legs are cramped), writing all day.
Humble work, well within the capacity of any honest “swivel-officer” of the reserve. But Baron von Stengel, bending his long back to it, infusing it with his air of refinement, stamps it with an almost hieratic character. It is possible that he would prefer to be in command of a park of artillery upon the Warthe or upon the Ypres canal. Perhaps he envies his two sons, captains in the army of Lorraine, who have just announced to him almost simultaneously the receipt of the iron cross. But this much is certain, that it is not without sadness that he recalls the last war.
He thinks of the 1870 campaign, which, as Oberleutnant, he spent at Ulm, employed, as to-day, in guarding prisoners. He thinks of his young colleagues of those days, of the interminable conversations when they were all intoxicated with the glorious news that streamed in, the news of Wörth, Borny, Gravelotte, Metz, and Sedan. He recalls the ardency of those years, and the cheerful noise of his steps as he walked beside the Danube in the beautiful night-time. He remembers seeing in the river the reflection of the cathedral spire, graceful and ornate, a silent witness of the ancient German glories then renascent—victory, love.
He was an old man when the new call to arms came. Nevertheless he offered his services to King Louis; though a septuagenarian, he begged to be allowed to help. Hence he is at Fort Orff. To one who watches him at work, censoring our letters, doing our little banking business, fulfilling the thousand and one trifling duties of his office, it is obvious that he is performing a rite, the great rite of patriotism.
Although hungry men are seldom just, I have never heard any of the prisoners utter a single ill-natured word about the commandant. As he walks with slow gait along the parapet, every one salutes him with manifest goodwill. White-headed, wearing an ample grey cloak falling in straight folds, he looks like a patriarch of ancient days visiting his faithful tribe. He wields authority so naturally, and is so free from hauteur, that no one dreams of murmuring. He has worked the miracle of uniting in a sentiment of respect for his personality all the inhabitants of this little France of Fort Orff, this miniature of great France, the factious and ungovernable nation, the nation of eternal discontent. He is so obviously straightforward and humane that the most savage of our prisoners would protest if any one, suddenly seized by an evil whimsy, should desire to make this good old man of the great century responsible for our short commons.
The major in command at headquarters in Ingolstadt, on the other hand, who must be a jingo of the most pronounced type, is prodigal of petty vexations. He forbids tobacco, chocolate, and sugar, “articles of luxury.” He forbids the foundation of a canteen; he forbids the receipt of more than ten marks at a time, and the writing of more than one letter every ten days; he forbids pen and ink; he forbids access to the escarp and to the summit of the slopes, doubtless considering the view too beautiful for prisoners of war. He issues orders that the sentinels shall fire without challenge upon any who break his rules, and it was owing to this that Georg, being taken for a Frenchman, was shot at one evening in the gloaming. Every day a new Verboten is issued.
Amid this maze of prohibitions, our life would be a torture but for Baron von Stengel. Discreet and tactful as he is, those among us who come into close contact with him know with how much disgust, with how much suppressed annoyance, he receives these vexatious orders. He carries them out, being too good a soldier to disobey. But, too good a soldier to misuse soldiers, too much of a gentleman to treat as galley-slaves combatants seamed with wounds, holy priests, red cross men who have received their baptism of fire, he often carries out his orders in a way which is tantamount to a generous evasion.
He is an adept in the art of humanizing his agents, the Feldwebel and the soldiers of the Bavarian guard. Unfortunately these are changed every week, and every week therefore he has to begin this civilizing task anew. The men come to us white hot from reading the newspapers, in savage mood—“duty, duty.” For two days the fort is an inferno. Then everything returns to order—not German order, but our own. Their zeal is mitigated when they take note of the way in which the commandant treats us. Our hail-fellow-well-met air, our good-humoured cheek, do the rest. The soldiers are tamed. Soon they cease to guard us; they contemplate us, and take part in our life. There they stand, with fixed bayonets, somewhat nonplussed and puzzled, almost timid, abashed as it were, hardly knowing, when we dig them in the ribs, whether we are fond of them or are making fun of them. At bottom they feel themselves to be our inferiors, less lively and less intelligent. They all have much the same idea as fat Max, the canteen keeper, who secretly breaks the pumps whenever a fresh levy is being made, in order to render himself more indispensable here than at the front. In view of the activity of our comrades, their carvings in wood and in stone, the tin rings they make, the horsehair watch-chains, the stools, tables, and cupboards which they knock together out of bits of planking filched from the workyards at Ingolstadt, this mighty beer-drinker is unable to control his astonishment. He waves his great arms, exclaiming:
“These Frenchmen, what workers! I’ve always maintained, Herr Gott Sakrament, that every one of them has a devil in his inside.”