ARTISANS AND TRADESMEN
Alexandrians owned and operated shipyards, sail lofts, ropewalks, lumber yards, brick kilns; print and apothecary shops; manufactories of harness, saddles, boots, shoes, mattresses, and cloth. And of course there were the taverns and hotels, inns and oyster houses, markets, stables, ferries, and fish wharves (where millions of herring were packed for export). Its citizens maintained churches, schools, academies, banks, fire companies, counting houses, and newspapers. They supported ministers, lawyers, doctors, dentists, oculists, cabinetmakers, artists, musicians, actors, merchants and a town militia. Mention has already been made of the important building professions—to the activities of house and ship carpenters, and the "undertakers," or contractors of the day.
Among the tradesmen and artisans of the town were watchmakers and clockmakers, jewelers, goldsmiths, coppersmiths, gunsmiths, blacksmiths, and ironmongers; confectioners, bakers and brewers; hatters, and wig-makers. Cottom & Stewart was a firm of publishers and vendors of the latest in literature. Joshua Delacour was a bookbinder who carried on his business in all its branches, not only supplying ladies with bandboxes, trunks, pasteboard stays and stomachers, but he also papered rooms in the neatest fashion. Books and stationery were imported by Joshua Merryman, who also advertised blotting paper, quills, ink powder, inkpots, sealing wax and wafers—in fact, all the adjuncts of polite correspondence.
Margaret Greetner set great store by her newly imported mangle, by which "silk, linen and cotton stockings, and other articles were smoothed and glossed in the most expeditious manner." She took in washing at "moderate terms" and apparently was the eighteenth century counterpart of our modern laundry. Joseph Delarue was her competitor in the dry-cleaning field, offering his services to ladies and gentlemen of the town and adjacent country as a scourer of silks, chintzes, and woolen clothes. Coachmaking was carried on by E.P. Taylor and Charles Jones. Unfortunately, records relating to Alexandria's early artisans are pathetically scanty or altogether lacking.
Alexandria in its heyday boasted as fine silver as could be found in the colony, and while there is a quantity of English silver thereabouts, much was made by her own craftsmen. It exists today in families who, while cherishing it for generations, have used it commonly for a century or more.
A partial list of silversmiths includes some nineteen or twenty names, for the earliest of whom there is any record, we must thank "the General," for it is in his ledgers that these first five names are found, noting some work done for Mount Vernon, usually of a repair nature. Salt spoons and ladles evidently saw hard service, or were kept so spick and span they had to go to the silversmith for frequent mending. In 1773 the Washington silver chest was the richer for a punch ladle made by William Dowdney. While this was in the making, one Edward Sandford was restoring a salt and mending a punch ladle. He also repaired Mrs. Washington's watch and made her a silver seal. The salt spoons were in the hands of one Charles Turner in 1775; and Mrs. Washington had a gold locket from one Philip Dawe. The punch ladle was out of order again in 1781 and had a new handle made by "Mr. Kanat."
The Federal Period interpreted in iron
About this time the Adam family of silversmiths began to attract attention. The first of that name in Alexandria was James Adam (1755-1798). He was working in Alexandria as early as 1771, and he who has an original Adam piece is either one of an ancient family in the town or a fortunate collector. The work of his son, John Adam (1780-1843), is more frequently found, and of the best type. The Adam grandson, William W. (1817-1877), followed the trade of his progenitors, turning out good work certainly but in the Victorian idiom.
Charles Burnett, working in Alexandria in 1793, and probably as early as 1785, produced sauceboats, urns, tea sets, tankards, and so on. His flatware is usually distinguished by a shell motif, and gadroon edges finish and decorate many of his pieces. His work is very similar to his Philadelphia contemporaries.