THE STORY OF THE EX-MEDIUM
I am Professor Vango, trance, test, business, materialisin’, sympathetic, harmonic, inspirational, and developin’ medium, and independent slate-writer. Before I withdrew from the profession, them as I had comforted and reunited said that I was by far the best in existence. My tests was of the sort that gives satisfaction and convinces even the most sceptical. My front parlor was thronged every Sunday and Tuesday evenin’ with ladies, the most genteel and elegant, and gentlemen.
When I really learned my powers, I was a palm and card reader. Madame August, the psychic card-reader and Reno Seeress, give me the advice that put me in communication. She done it after a joint readin’ we give for the benefit of the Astral Seers’ Protective Union.
“Vango,” she says—I was usin’ the name “Vango” already; it struck me as real tasty—“Vango,” she says, “you’re wastin’ your talents. These is the days when men speak by inspiration. You got genius; but you ain’t no palmist.”
“Why ain’t I?” I says, knowin’ all the time that they was somethin’ wrong; “don’t I talk as good as any?”
“You’re a genius,” says she, “and you lead where others follow; your idea of tellin’ every woman that she can write stories if she tries is one of the best ever conceived, but if you don’t mind me sayin’ it, as one professional to another, it’s your face that’s wrong.”
“My face?” says I.
“Your face and your hands and your shape and the balance of your physicality,” says she. “They want big eyes—brown is best, but blue will do—and lots of looks and easy love-makin’ ways that you can hang a past to, and I’m frank to say that you ain’t got ’em. You have got platform talents, and you’ll be a phenomena where you can’t get near enough to ’em to hold hands. Test seances is the future of this business. Take a few developin’ sittin’s and you’ll see.”
For the time, disappointment and chagrin overcome me. Often and often since, I have said that sorrow is a means of development for a party. That’s where I learnt it. Next year I was holdin’ test seances in my own room and makin’ spirit photographs with my pardner for ample renumeration. Of course, I made my mistakes, but I can assert without fear of successful contradiction that I brought true communication as often as any of ’em.
Once I sized up a woman that wore black before I had asked the usual questions—which is a risky thing to do, and no medium that values a reputation will attempt it—and told her about her husband that had passed out and give a message, and she led me on and wrote me up for them very papers that I was advertisin’ in and almost ruined my prospecks. You get such scoffers all the time, only later on you learn to look out and give ’em rebukes from the spirits. It ain’t no use tryin’ to get ahead of us, as I used to tell the people at my seances that thought I was a collusion, because they’ve only got theirselves; but we’ve got ourselves and the spirits besides.