"Who was she?"
"She wouldn't leave no name, but she was a kissamaroot from Peachville Center all right. She looked like she was just graduated from a French laundry. She left dese gloves here."
He handed over a pair of long, immaculately white gloves, which were lying on a chair. Granthope looked at them carefully, blew one out till it took the form of a hand and then inspected the wrinkles.
"Oh," he said. "Tell Miss Payson to come into my studio when she comes back."
"Say, Mr. Granthope, who's Miss Gray? De lady wanted to know where was Miss Gray, and I told her she could search me, for I wasn't on. She looked like she took me for a shine to be holdin' down de desk here; dat's right."
Granthope walked quickly into his studio without answering.
He seated himself thoughtfully and looked about him, still holding the white glove caressingly in his hand. His eye traveled from the electric-lighted table, round the black velvet arras, to the panel where the signs of the zodiac were embroidered in gold: then his eyes closed. He sat silent for ten minutes or so, then he drew his hand through his heavy black hair and across his brow. His eyes opened; he arose; a faint whimsical smile shone on his face.
Then, still smiling, he strode deliberately across the room, grasped the black velvet hanging and gave it a violent tug, wrenching it from the cornice. It fell in a soft, dark mass upon the floor. He seized the next breadth of drapery, and the next, tearing them from the wall. So he went calmly round the room in his work of destruction, disclosing a widening space of horribly-patterned wall-paper—pink and yellow roses writhing up a violently blue background. On the last side of the room two windows appeared, the glass almost opaque with dust.
He threw up a sash; a shaft of sunshine shot in, and, falling upon the velvet waves upon the floor, changed them to dull purple. In that ray a universe of tiny motes danced radiantly. A current of air set them in motion and swept them from the room through the window into the world outside.
And, as he stood there, his face like that of a child who had released a toy balloon, watching that beam of yellow light, Clytie Payson opened the door of the studio and looked in at him. She appeared suddenly, like a picture thrown vividly upon a screen. She saw Granthope before he saw her, and, for a moment, she stood gazing. His pose was eloquent; he was, in his setting, almost symbolistic—she needed no explanation of what had happened. Then, it was as if some tense cord snapped in her mind, and she threw herself forward, no longer the dreamer, but the actor, giving free rein to her emotion.