"We been a-tinkerin' on that air machine o' yourn, but it's a leetle bit too much for us, I guess," Uncle Jerdon said. "You'll have to send deown a man, I expect. I wouldn't ride in one o' them pesky things for all the gold of Ophir, no sirree, bob! When I want to go to ride I want to see the back of a good hoss—I know I'll get home by sun-deown."

He monologued away thus as he helped me into my clothes, and, when I had finished, called to Leah.

She came in, and I took an arm of each, though I scarcely needed their help. We descended a narrow, paneled stairway slowly but safely, without causing me any pain, and turned into a door on the left-hand side of the lower hall. There I found a morris chair ready for me, drawn up before a wide brick fireplace where an oak log was burning. Uncle Jerdon left me with a wink at seeing Leah placing a foot-stool for me and drawing up a taboret on which were cigars and cigarettes. There ensconced, I looked about with interest.

It was a large room, finished all in paneled unvarnished redwood, most beautiful in color—a lighter red than mahogany, with more softness and bloom. Two sides were lined with book-cases, except for the chimney-breast; another was almost filled with a broad bow-window of leaded glass with a deep seat covered with corduroy cushions. There was a narrow shelf supported by carved brackets part way up, and a cornice above that. Between the adzed beams of the ceiling were panels of old Spanish leather, lacquered and stamped. The whole effect was a modified French Renaissance worked out with many charming originalities of detail. The pilasters, and the elaborate mantel with its ornamented moldings and graceful consoles, showed handicraft of an interesting sort. They seemed to have been carved by some artistic amateur, being boldly cut without the machine-like regularity of the professional. There was, besides the unusualness of the wood, much to interest me as an architect.

The library was well filled without appearing crowded, and everything, furniture and appointments, betokened, as had my chamber, not only taste, but luxury. It was evident that Miss Fielding was very well off, and knew how to use her money. It was as evident that she had a strong personality, for there were details that were unique. A large prism of rock-crystal, for instance, carelessly resting in the sunshine upon the dull brown cushions of the window-seat, threw a prismatic spot of splendor upon the ceiling. It was like a gorgeous butterfly pinned to the leather. There was a silver cage of waltzing Japanese mice upon the mantel, little grotesque, pied creatures that spun wheels, washed their necks with their paws and nibbled at rice. The books, too, were arranged upon the shelves apparently not as regards subjects, but rather on account of their bindings, giving masses of color, green and red and brown and black and white.

But it had all been indubitably so well lived in, its properties all ministered so to one's comfort, and the tones were all so restful and admirably composed, that I could imagine no more charming environment for a rainy day with Miss Fielding.

A great library table stood in the center of the apartment, one end of which was covered with magazines—everything from The Journal of Abnormal Psychology to the Pink 'Un. Upon the other end, resting on a hide of ooze leather, were scattered tools and materials, and the unfinished chest upon which Miss Fielding had been working. This was covered with young calfskin, the soft hair still on, a pretty brindled tan and white, and it was bound on the edges with brass strips. These were fastened in place by close rows of brass-headed nails, which accounted for the pounding I had heard. I was admiring the workmanlike way in which the chest was made, when Miss Fielding came in.

"What d'you think of my 'bossy coffret'?" she said. "Isn't it going to be a beauty? My own invention. Don't steal the scheme, and I'll show you how."

She stood up to the table, and, taking one of the brass strips, laid off the divisions and punched holes for the nails, and then hammered it on. She kept up, meanwhile, a running fire of persiflage. Occasionally she would stop to toss her hammer into the air and catch it nimbly by the handle as it fell.

"I thought you were going to call me Edna," she said after a while, pausing with some nails in her mouth to look over at me. "Don't you like the name?"