"Well a new kitchen on the other end of the building where there's a breeze, and a big clover field, and a wood, and her work table right where it is in line with her private and particular sunup. There's a big sink with hot and cold water, and a dishwasher. There's a bread-mixer and a little glass churn, both of which can be hitched to the electricity to run. There's a big register from the furnace close the work table for winter, and a gas cook stove that has more works than a watch."
"What does the lady say about it?"
"Mighty little!" said Mickey. "She just stands and wipes the shiny places with her apron or handkerchief, and laughs and cries, 'cause she's so glad. It ain't set up yet, but you can see just standing before it what it's going to mean for her. And there's a chute from the upstairs to the basement, to scoot the wash down to the electric machine to rub them, and a little gas stove with two burners to boil them, and the iron I told you of. Hanging it up is the hardest part of the wash these days, and since they have three big rooms in the basement, Peter thought this morning that he could put all the food in one, and stretch her lines in the winter for the clothes to dry in the washroom. The furnace will heat it, and it's light and clean; we are going to paint it when everything is in place."
"Is that all?" queried Douglas.
"It's a running start," said Mickey; "I don't know as Peter will ever get to 'all'. The kitchen is going to have white woodwork, and blue walls and blue linoleum, and new blue-and-white enamelled cooking things from start to finish, with no iron in the bunch except two skillets saved for frying. Even the dishpan is going to be blue, and she's crying and laughing same time while she hems blue-and-white wash curtains for the windows. All the house is going to have hardwood floors, the rooms cut more convenient; out goes the old hall into just a small place to take off your wraps, and the remainder added to the parlour. All the carpets and the old heavy curtains are being ground up and woven into rugs. Gee, it's an insurrection! Ma Harding and I surely started things when we planned to dose Junior on Multiopolis, and let her 'view the landscape o'er.' You can tell by her face she's seeing it! If she sails into the port o' glory looking more glorified, it'll be a wonder! And Peter! You ought to see Peter! And Junior! You should see Junior planning his room. And Mickey! You must see Mickey planning his! And Mary and Bobbie! And above all, you should see Lily! Last I saw of her, Peter was holding her under her arms, and she was shoving her feet before her trying to lift them up a little. We've most rubbed them off her with fine sand, and then stuck them in cold water, and then sanded them again, and they're not the same feet—that's a cinch!"
"Is that the sum of the Harding improvements?" asked Douglas, drawing fine lines on a sheet of figures before him.
"Well it's a fair showing," said Mickey. "We ain't got the new rugs, and the music box, and the books; or the old furniture rubbed and oiled yet. When the house is finished, Peter expressly specified that his lady was to get her clothes so she could go to the club house, and not be picked for a country woman by what she wore."
"Mickey, this is so interesting it has given my head quite a rest. Maybe now I can see my way clearly. But one thing more: how long are you planning to stay there? You talk as if——"
"'Stay there?'" said Mickey. "Didn't you hear me say there was a horse and saddle and a room for me, and a room for Lily? 'Stay there!' Why for ever and ever more! That's home! When I got into trouble and called on Peter to throw a lifeline, he did it up browner than his job for Ma. A line was all I asked; but Peter established a regular Pertectorate—nobody can 'get' us now——"
"You mean Peter adopted both of you?" cried Douglas.