“I didn't know about these, so I didn't do anything. When you find time to plan, tell me what you want, and I'll make—or buy it. They are good-sized, cool rooms. They all have closets and pipes from the furnace, so they will be comfortable in winter. Now there is your place remaining. I'll leave you while I stable Betsy and feed the stock.”
He guided her to the door opening from the living-room to the east.
“This is the sunshine spot,” he said. “It is bathed in morning light, and sheltered by afternoon shade. Singing Water is across the drive there to talk to you always. It comes pelting down so fast it never freezes, so it makes music all winter, and the birds are so numerous you'll have to go to bed early for they'll wake you by dawn. I noticed this room was going to be full of sunshine when I built it, and I craved only brightness for you, so I coaxed all of it to stay that I could. Every stroke is the work of my hands, and all of the furniture. I hope you will like it. This is the room of which I've been telling you, Ruth. Go in and take possession, and I'll entreat God and all His ministering angels to send you sunshine and joy.”
He opened the door, guided her inside, closed it, and went swiftly to his work.
The Girl stood and looked around her with amazed eyes. The floor was pale yellow wood, polished until it shone like a table top. The casings, table, chairs, dressing table, chest of drawers, and bed were solid curly maple. The doors were big polished slabs of it, each containing enough material to veneer all the furniture in the room. The walls were of plaster, tinted yellow, and the windows with yellow shades were curtained in dainty white. She could hear the Harvester carrying the load from the wagon to the front porch, the clamour of the barn yard; and as she went to the north window to see the view, a shining peacock strutted down the walk and went to the Harvester's hand for grain, while scores of snow-white doves circled over his head. She stepped on deep rugs of yellow goat skins, and, glancing at the windows on either side, she opened the door.
Outside it lay a porch with a railing, but no roof. On each post stood a box filled with yellow wood-flowers and trailing vines of pale green. A big tree rising through one corner of the floor supplied the cover. A gate opened to a walk leading to the driveway, and on either side lay a patch of sod, outlined by a deep hedge of bright gold. In it saffron, cone-flowers, black-eyed Susans, golden-rod, wild sunflowers, and jewel flower grew, and some of it, enough to form a yellow line, was already in bloom. Around the porch and down the walk were beds of yellow violets, pixie moss, and every tiny gold flower of the woods. The Girl leaned against the tree and looked around her and then staggered inside and dropped on the couch.
“What planning! What work!” she sobbed. “What taste! Why he's a poet! What wonderful beauty! He's an artist with earth for his canvas, and growing things for colours.”
She lay there staring at the walls, the beautiful wood-work and furniture, the dressing table with its array of toilet articles, a low chair before it, and the thick rug for her feet. Over and over she looked at everything, and then closed her eyes and lay quietly, too weary and overwhelmed to think. By and by came tapping at the door, and she sprang up and crossing to the dressing table straightened her hair and composed her face.
“Ajax demands to see you,” cried a gay voice.
The Girl stepped outside.