Edith and her aunt loved heavy velvets, satins, and cloth of rich, dark colours. And these, piled upon Edith’s anæmic little figure, served rather to disguise than to emphasize any glimmering of beauty that might have made its manifestation.
As she stood before her graduation dress, Mahala, with her alert brain and keen habit of thinking things out, figured that very likely the dress which Edith would not allow her to see and about which she refused to talk, would be white, since white had been decided upon for all the class, to Edith’s intense disgust. She knew that white was not becoming to her dark face and hair. Mahala, in figuring on how to hold her long-time supremacy on the night of her graduation, depended upon Edith and her aunt to select heavy velvet or satin, and to have it made in a manner that would be suitable for a prosperous grandmother. She softly touched the veil-like fineness of the misty white in which she planned to envelop herself when she stood forth to deliver the valedictory.
Mahala was perfectly confident that she had figured out the situation as it would develop. When she and the girl who always had been supposed to be her best friend, faced each other on their great night, Mahala believed that she would appear mist enshrouded. She was fairly confident that Edith would be looking dark and sour, too heavily and richly dressed in expensive materials and the height of poor taste.
A shadow fell across her work and she turned to find her father watching her. With an impulsive gesture, she stuck her needle into the breast of the form and ran to him, throwing her arms around his neck, rumpling his hair, and drawing him into the room. She began lifting the skirt and turning the form on its pedestal that he might see her handiwork, how charming the gown she was evolving. He stood quietly beside her, assenting to her eager exclamations, worshipping her pretty demonstration of her pride in her art and her good taste.
“It’s very lovely, little daughter, very lovely,” he said, “but aren’t you almost through with putting expense on it?”
Mahala faced him abruptly.
“Papa,” she said, “is business going badly with you? Are those cheap-johnnies that have started up across the street taking your customers away from you? Are you only worried, or is there truly a reason why we should begin to economize?”
Mahlon Spellman suddenly turned from a thing of flesh and blood to a thing of steel and iron. He opened his lips. This was his chance to gain sympathy and love, even help—and to save his life, he could not speak. He had been the be-all and the do-all for Mahala throughout her life. It had been his crowning pride and his pleasure to give her practically everything she had ever wanted. To tell her that he was in financial straits, that her freedom might be curtailed, that her extravagances might be impossible, that he was in danger of failing just when her hour and her greatest need for the lovely things of life were upon her, was a thing that he found himself incapable of doing. As he stood in silence, he felt her warm, young body pressing up against his.
“You know, dearest dear,” she said quite simply, “that if you’re in hot water, I’ll help you. I won’t go to college. I’ll stay at home and take care of you and Mother and myself, too.”
Mahlon was perfectly delighted with this exhibition of love and sacrifice on Mahala’s part. Instead of telling her the truth, he told her a good many deliberate lies, and when the glow of rejoicing over her words had died down somewhat, he realized that he had been a fool for not availing himself of the opportunity that she had offered him, and he sank back to intense dejection, which the girl dimly realized as he left the room.