As she gathered up Mahala’s nightdress and turned the bed to air, she said to the child: “Now run, dear, and waken your father, but remember you must not muss yourself or spend too much time.”

Mahala hurried down the hall, softly opened the door to her parents’ bedroom, and poised on her tiptoes. Her heart was racing. Her eyes were big pools having dancing lights. Her muscles cried for exercise. She wanted to make a flying leap and land on the bed, but she knew what her reception would be if she did; so she crossed the room very primly and laid a soft hand on her father’s face.

“Papa, dear,” she said, “wake up! School begins this morning and you won’t be in time to have breakfast with me unless you hurry.”

She leaned over and kissed him and patted his face, but, when he reached up and drew her down in his arms, she was instantly on the defensive.

“Papa, be careful!” she cautioned. “Mother has my curls made and I am all dressed for school. She wouldn’t like it if you were to muss me.”

Instantly Mahlon’s arms relaxed.

“No, she wouldn’t like it,” he said, “and neither would I. Give Papa another kiss and run to your music, like a little lady.”

So Mahala hurried back to her room, where she took in her arms a beautiful wax doll, almost as large as herself, carefully carrying it down the stairs and into the living room. With her keen eyes she surveyed this familiar place, but the same stiffly starched lace curtains depended from the fringed lambrequins, the same gorgeous flowers spread among the scrolls of the Brussels carpet, the same mahogany chairs stood, each in its exact spot, each picture covered its size in the original freshness of the wall paper. She could not see a thing to arrest or interest her, so she proceeded to the parlour, where the big square piano stood among the real treasures of the house: rosewood sofa and chairs, a parlour table having leaves, cabinets for books and bric-a-brac, a loaded what-not, and the roses of the velvet carpet so big and so bright that it was a naughty trick of Mahala to pretend she stubbed her toes and stumbled over them. Here the lace curtains fell from velvet draperies and spread widely on the floor; a china dog guarded glass-encased hair flowers on the mantel, while the morning-glories climbing up the wall paper must have sprung from the same exuberant soil that furnished the originals of the carpet roses.

Mahala swept this room also with a bird-alert glance and seeing not the change of a fleck of dust anywhere, set Belinda on a chair beside the piano stool and surveyed her minutely.

“Belinda, can’t you sit like a little lady?” she said reprovingly. “Two curls over each shoulder, the rest down your back; heels touching, toes out. If I got to wear a silk dress every day, let me tell you, I’d swish it properly.”