I have also corrected the spelling of MS. C. in a large number of places, but within very narrow limits. The use of the final e in that MS. is exceedingly correct, and has almost always been followed, except where notice to the contrary is given in the notes. My corrections are chiefly limited to the substitution of in for yn, and of i for short y, in such words as bygynnen, for which I write biginnen; the substitution of y for long i, as in whylom, when the MS. has whilom; the use of v for the MS. symbol u (where necessary); the substitution of sch or ssh for ss, when the sound intended is double sh; and the substitution of e and o for ee and oo where the vowels are obviously long by their position in the word. I also substitute -eth and -ed for the variable -eth or -ith, and -ed, -id, or -yd of the MS. Such changes render the text more uniformly phonetic, and much more readable, without really interfering with the evidence. Changes of a bolder character are duly noted.
The introduction of these slight improvements will not really trouble the reader. The trouble has been the editor's; for I found that the only satisfactory way of producing a really good text was to rewrite the whole of it. It seemed worth while to have a useful critical edition of 'Boethius' for general reference, because of the considerable use which Chaucer himself made of his translation when writing many of his later poems.
The Notes are all new, in the sense that no annotated edition of Chaucer's text has hitherto appeared. But many of them are, necessarily, copied or adapted from the notes to the Latin text in the editions by Vallinus and Valpy.
INTRODUCTION TO TROILUS.
§ 1. Date of the Work. The probable date is about 1380-2, and can hardly have been earlier than 1379 or later than 1383. No doubt it was in hand for a considerable time. It certainly followed close upon the translation of Boethius; see p. vii above.
§ 2. Sources of the Work. The chief authority followed by Chaucer is Boccaccio's poem named Il Filostrato, in 9 Parts or Books of very variable length, and composed in ottava rima, or stanzas containing eight lines each. I have used the copy in the Opere Volgari di G. Boccaccio; Firenze, 1832.
Owing to the patient labours of Mr. W. M. Rossetti, who has collated the Filostrato with the Troilus line by line, and published the results of his work for the Chaucer Society in 1875, we are able to tell the precise extent to which Chaucer is indebted to Boccaccio for this story. The Filostrato contains 5704 lines; and the Troilus 8239 lines[[46]], if we do not reckon in the 12 Latin lines printed below, at p. [404]. Hence we obtain the following result.
| Total of lines in Troilus | 8239 |
| Adapted from the Filostrato | |
| (2730 lines, condensed into) | 2583 |
| Balance due to Chaucer | 5656 |
In other words, Chaucer's debt to Boccaccio amounts to less than one-third of the whole poem; and there remains more than two-thirds of it to be accounted for from other sources. But even after all deductions have been made for passages borrowed from other authors, very nearly two-thirds remain for which Chaucer is solely responsible. As in the case of the Knightes Tale, close investigation shews that Chaucer is, after all, less indebted to Boccaccio than might seem, upon a hasty comparison, to be the case.
As it was found impracticable to give Mr. Rossetti's results in full, I have drawn up lists of parallel passages in a somewhat rough way, which are given in the Notes, at the beginning of every Book; see pp. [461], [467], [474], [484], [494]. These lists are sufficiently accurate to enable the reader, in general, to discover the passages which are in no way due to the Filostrato.