When Chaucer consulted Dante, his thoughts were naturally directed to Vergil. We find, accordingly, that he begins by quoting (in ll. 143-8) the opening lines of the Æneid; and a large portion of Book I (ll. 143-467) is entirely taken up with a general sketch of the contents of that poem. It is clear that, at the time of writing, Vergil was, in the main, a new book to him, whilst Ovid was certainly an old acquaintance.
By this, I only mean that Lydgate seems to have been indebted to Chaucer for the general idea of his poem, and even for the title of it (cf. Ho. Fame, 120). For a full account of all its sources, see the admirable edition of Lydgate's Temple of Glas by Dr. J. Schick, p. cxv. (Early Eng. Text Society).
Misprinted 'bright,' as the final e has 'dropped out' at press; of course it should be the adverbial form, with final e. In l. 507, the form is 'brighte' again, where it is the plural adjective. And, owing to this repetition, MSS. F. and B. actually omit lines 504-7.
Morris has rabewyures, from MS. F.; but there is no such word in his Glossary. See the New E. Dictionary, s.v. Baboon.
Morris has Reues; but his Glossary has: 'Reues, or reyes, sb. a kind of dance.' Of course it is plural.