2045. 'The names of two figures in geomancy, representing two constellations in heaven. Puella signifieth Mars retrogade, and Rubeus Mars direct.'—Note in Speght's Chaucer. It is obvious that this explanation is wrong as regards 'Mars retrograde' and 'Mars direct,' because a constellation cannot represent a single planet. It happens to be also wrong as regards 'constellations in heaven.' But Speght is correct in the main point, viz., that Puella and Rubeus are 'the names of two figures in geomancy.' Geomancy was described, under the title of 'Divination by Spotting,' in The Saturday Review, Feb. 16, 1889. To form geomantic figures, proceed thus. Take a pencil, and hurriedly jot down on a paper a number of dots in a line, without counting them. Do the same three times more. Now count the dots, to see whether they are odd or even. If the dots in a line are odd, put down one dot on another small paper, half-way across it. If they are even, put down two dots, one towards each side; arranging the results in four rows, one beneath the other.
Three of the figures thus formed require our attention; the whole number being sixteen. Fig. 1 results from the dots being odd, even, odd, odd. Fig. 2, from even, odd, even, even. Fig. 3, from odd, odd, even, odd. These (as well as the rest of the sixteen figures) are given in Cornelius Agrippa, De Occulta Philosophia, lib. ii. cap. 48: De Figuris Geomanticis. Each 'Figure' had a 'Name,' belonged to an
'Element,' and possessed a 'Planet' and a Zodiacal 'Sign.' Cornelius Agrippa gives our three 'figures' as below.
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Fig. 1 (Puella). Fig. 2 (Rubeus). Fig. 3 (Puer). That is, Fig. 1 is 'Puella,' or 'Mundus facie'; element, water; planet, Venus; sign, Libra.
Fig. 2 is 'Rubeus' or 'Rufus'; element, fire; planet, Mars; sign, Gemini.
Fig. 3 is 'Puer,' or 'Flavus,' or 'Imberbis'; element, fire; planet, Mars; sign, Aries.
Chaucer (or some one else) seems to have confused figures 1 and 3, or Puer with Puella; for Puella was dedicated to Venus. Rubeus is clearly right, as Mars was the red planet (l. 1747). I first explained this, somewhat more fully, in The Academy, March 2, 1889.
2049. From Tes. vii. 38:—'E tal ricetto edificato avea Mulcibero sottil colla sua arte.'—Kölbing, in Engl. Studien, ii. 528.
2056. Calistopee = Callisto, a daughter of Lycaon, King of Arcadia, and companion of Diana. See Ovid's Fasti, ii. 153; Gower, Conf. Amantis, ed. Pauli, ii. 336.