Then thus conclude I, since that God of heaven
Will not that these philosophers neven* *name
How that a man shall come unto this stone,
I rede* as for the best to let it gon. *counsel
For whoso maketh God his adversary,
As for to work any thing in contrary
Of his will, certes never shall he thrive,
Though that he multiply term of his live. <23>
And there a point;* for ended is my tale. *end
God send ev’ry good man *boot of his bale.* *remedy for his sorrow*
Note to the Canon’s Yeoman’s Tale
1. The Tale of the Canon’s Yeoman, like those of the Wife of Bath and the Pardoner, is made up of two parts; a long general introduction, and the story proper. In the case of the Wife of Bath, the interruptions of other pilgrims, and the autobiographical nature of the discourse, recommend the separation of the prologue from the Tale proper; but in the other cases the introductory or merely connecting matter ceases wholly where the opening of “The Tale” has been marked in the text.
2. Jupartie: Jeopardy, hazard. In Froissart’s French, “a jeu partie” is used to signify a game or contest in which the chances were exactly equal for both sides.
3. Squames: Scales; Latin, “squamae.”
4. Descensories: vessels for distillation “per descensum;” they were placed under the fire, and the spirit to be extracted was thrown downwards. Croslets: crucibles; French, “creuset.”. Cucurbites: retorts; distilling-vessels; so called from their likeness in shape to a gourd — Latin, “cucurbita.” Alembikes:stills, limbecs.
5. Seared pokettes: the meaning of this phrase is obscure; but if we take the reading “cered poketts,” from the Harleian manuscript, we are led to the supposition that it signifies receptacles — bags or pokes — prepared with wax for some process. Latin, “cera,” wax.
6. Argoil: potter’s clay, used for luting or closing vessels in the laboratories of the alchemists; Latin, “argilla;” French, “argile.”
7. Citrination: turning to a citrine colour, or yellow, by chemical action; that was the colour which proved the philosopher’s stone.
8. Ingots: not, as in its modern meaning, the masses of metal shaped by pouring into moulds; but the moulds themslves into which the fused metal was poured. Compare Dutch, “ingieten,” part. “inghehoten,” to infuse; German, “eingiessen,” part. “eingegossen,” to pour in.