The plan of the volume does not demand an elaborate examination into the state of our language when Chaucer wrote, or the nice questions of grammatical and metrical structure which conspire with the obsolete orthography to make his poems a sealed book for the masses. The most important element in the proper reading of Chaucer’s verses — whether written in the decasyllabic or heroic metre, which he introduced into our literature, or in the octosyllabic measure used with such animated effect in “The House of Fame,” “Chaucer’s Dream,” &c. — is the sounding of the terminal “e” where it is now silent. That letter is still valid in French poetry; and Chaucer’s lines can be scanned only by reading them as we would read Racine’s or Molière’s. The terminal “e” played an important part in grammar; in many cases it was the sign of the infinitive — the “n” being dropped from the end; at other times it pointed the distinction between singular and plural, between adjective and adverb. The pages that follow, however, being prepared from the modern English point of view, necessarily no account is taken of those distinctions; and the now silent “e” has been retained in the text of Chaucer only when required by the modern spelling, or by the exigencies of metre.
Before a word beginning with a vowel, or with the letter “h,” the final “e” was almost without exception mute; and in such cases, in the plural forms and infinitives of verbs, the terminal “n” is generally retained for the sake of euphony. No reader who is acquainted with the French language will find it hard to fall into Chaucer’s accentuation; while, for such as are not, a simple perusal of the text according to the rules of modern verse, should remove every difficulty.
Notes to Life of Geoffrey Chaucer
1. “Edmund Spenser, a native of London, was born with a Muse of such power, that he was superior to all English poets of preceding ages, not excepting his fellow-citizen Chaucer.”
2. See introduction to “The Legend of Good Women”.
3. Called in the editions before 1597 “The Dream of Chaucer”. The poem, which is not included in the present edition, does indeed, like many of Chaucer’s smaller works, tell the story of a dream, in which a knight, representing John of Gaunt, is found by the poet mourning the loss of his lady; but the true “Dream of Chaucer,” in which he celebrates the marriage of his patron, was published for the first time by Speght in 1597. John of Gaunt, in the end of 1371, married his second wife, Constance, daughter to Pedro the Cruel of Spain; so that “The Book of the Duchess” must have been written between 1369 and 1371.
4. Where he bids his “little book”
“Subject be unto all poesy,
And kiss the steps, where as thou seest space,
Of Virgil, Ovid, Homer, Lucan, Stace.”
5. See note 1 to The Tale in The Clerk’s Tale.
6. See note 1 to The Man of Law’s Tale.