"If she don't, I'll take it out myself and lay it about her," comes another voice, which is to punctuate as regularly and much more raucously my early doings. And Aunt Jael shakes her fist, and lowers at me.
Perhaps I don't really remember the trifling incident. Most likely I only remember that I remember. It is a photograph of a photograph, smudged by the fingers of Time. Yet I see as clearly as ever the dark room in disarray, my Grandmother kind and coaxing, Aunt Jael threatening and harsh. The memory is clearer because Time has not blurred but rather sharpened it. I grew up the gauge of an unequal battle between Grandmother and Great-Aunt. Moving-day is merely the moment in which my infant intelligence first caught news of the struggle.
At this time I must have been about three years old, for it was some three years after my mother's death that we moved from the High Street, at the time when—I think it was in 1852—the old North Gate was removed, and our house pulled down. Our new house was Number Eight, Bear Lawn. The Lawn was a biggish patch of grass with houses on both sides. At the far end from the road it merged into a steep grassy bank, crowned with poplars, which allowed no egress. At the near end a big iron gate barred us off from the plebeian houses of Bear Street, to which the Lawn mansions felt themselves notably superior.
The Lawn lay to the right of the street some little way out of the town. In reality it was an old barrack-square, "converted." The houses on each side of it were barracks put up during the French Revolutionary Wars. When Boney was beaten and the soldiers sent away, an enterprising builder turned the barracks into two terraces of houses, and sowed the barrack-square with grass seed. Bear Lawn became one of the most elegant quarters of Tawborough, a quiet preserve of genteel habitation; though the houses never quite lost their barrack quality. They were too square and bare and big to be truly genteel. And too roomy.
Number Eight was one of the squarest and barest.
It was gloomy. How far the aspect it will always bear in my mind may be a reflection of the dark and unhappy days I spent there, and how far it was real, I cannot ever say. It was a house of big empty corridors, dark bare spaces, and an incommunicable dreariness that somehow stilled you as you crossed the doorstep. There was none of the cosy warmth that makes so many dark old houses a homely joy to the senses and a warm fragrance for the memory. It had the silence in it that only large empty spaces can create, did not seem inhabited, and smelt of coffins, I used to think. Even in summer there was a suggestion of damp and cold and bleakness, and always there was the silence which made me wait—and listen.
Downstairs there were three big rooms: Aunt Jael's, the dining-room and the kitchen. Aunt Jael's was the front one. The door was always unlocked, yet the key was left on the outside of the door, and I was forbidden to enter. Like Mrs. Bluebeard (of whom I had never heard) or our first mother Eve (in the knowledge of whom I grew to understanding), I felt that prohibition made perfect; and the forbidden room attracted me beyond all others. I visited it usually in the afternoon, when the thunder and trumpets of Aunt Jael's after-dinner doze in the dining-room announced that the road was clear. The blinds were always drawn, winter and summer alike; and the windows closed. The room seemed filled with a dull yellowish kind of mist, the ochre-coloured blind toning the darkness, and just permitting you to see a yellowish carpet and dull yellowish furniture. A row of dismal plants, standing in saucers on the floor, filled the bay window. There was a great oak sideboard, stuffed with Aunt Jael's preserves and pickles; though it was long before I had the courage and the opportunity to ransack it thoroughly. The walls were covered with spears and daggers, trophies of the Gospel in distant lands. In a corner reposed the supreme trophy, a huge wooden god, sitting with arms akimbo. His votaries (until salvation, in the person of Brother Immanuel Greeber, had turned them from their ways) dwelt, I believe, in the Society Islands; though he looked for all the world like a Buddha, with his painless impenetrable eyes and his smile of changeless calm. In his dark unwholesome corner he dominated the room. The yellow mist was incense in his nostrils.
The middle room we called the dining-room, though Aunt Jael favoured "back parlour." Here we lived and prayed and ate, and here a large part of this story took place. The window overlooked our small backyard, which being flanked by out-houses gave little light; so this room too was dark, though not as dark as Aunt Jael's, since the blinds were not usually drawn. It was more barely furnished. There was the table, a chiffonier, a side-board, a bookcase, and two principal chairs: a "gentleman's" armchair to the left of the fireplace, with two big arms; and a "lady's," armless, to the right. One was comfortable, the other was not. One was Aunt Jael's, the other was my Grandmother's. There were four bedrooms on the first floor, and I must note their strategic positions. Aunt Jael's was the first on the right, my own the second; we were over the dining-room and surveyed the backyard. My Grandmother's chamber, the first on the left, and the spare-room beyond it overlooked the Lawn. At the half-landing above was Mrs. Cheese's bedroom, while the top of the house consisted of an enormous whitewashed attic, lighted by an unwashed skylight and suffused by a cold bluish gloom that contrasted queerly with the foggy yellow of the front room downstairs yet excelled it in silent cheerlessness. Here I would spend hours, or whole days, either of my own free will, that I might moon and mope to my heart's content, and talk aloud to myself without fear of mocking audience; or perforce, banished by the frequent judgment of Aunt Jael.
It was our moving into this house that supplies my first earthly memory. My first important—dramatic, historic—remembrance must date from several months later, when I was nearly four years old. The scene was our evening reading of the Word. We were sitting in our usual positions round the dining-room fire after supper.
To the left of the chimney-piece, in the big black horsehair chair—the comfortable one, the one with sides and arms—sat my Great-Aunt Jael. This was her permanent post. From this coign of vantage she issued ukases, thundered commands, hurled anathemas and brandished her sceptre—that thorned stick of whose grim and governmental qualities I have the fullest knowledge of any soul (or body) on earth. She was a short, stout, stocky, strong-looking woman, yet bent; when walking, bent sometimes almost double. Leaning on her awful stick, she looked the old witch she was. Peaky black cap surmounting beetling black brows and bright black eyes, wrinkled swarthy skin, beaky nose, a hard mouth whiskered like a man's, and a harder chin: feature for feature, she was the witch of the picture-books. All her dresses, silk, serge or bombazine, were black. On the night I speak of, an ordinary week-night, she was dressed in her oldest serge. The great Holy Bible on her knees might have been some unholy wizard's tome.