The coiffure of both sexes is alike; the hair of the top and back of the head is mounted up into a long cylindrical chignon, and being fastened on the inside by an arrangement made of reeds, slopes backwards in a slanting direction. Across the forehead, from temple to temple, the hair is twisted in thin tresses, which lie one above another, closely fitting the skull until they reach the crown of the head. Their own hair is rarely long enough to form this portion of the head-gear, but the deficiency is supplied from the heads of those who have fallen in war, or, since hair is an article of traffic in the country, it is procured from the market. On the top of their chignon, the men wear the cylindrical straw-hats so often referred to. These are without brims, square at the top and circular at the base, and are adorned either with the tufts of red parrots’ feathers that I have described in connection with Munza’s wardrobe,[22] or with the long feathers of eagles and falcons. The hats, of course, follow the slanting directions of the chignon, and fall back diagonally to the head, and altogether the head-gear is remarkably similar to that worn by the Ishogo women in Western Africa. The Monbuttoo women wear no hat on their chignon, which is merely adorned with little hair-pins attached to combs made of the quills of the porcupines.
These details may suffice to give a fair notion of the external appearance of the Monbuttoo, and if I add that their only mutilation of the body consists in boring the inner muscle of the ear for the purpose of inserting a bar about the size of a cigar, I shall have described all the fashions in vogue, from which no individual is at liberty to make marked deviation. They neither break out their lower incisor teeth, like the black nations on the northern river plains, nor do they file them to points, like the Niam-niam; neither do they imitate the Bongo and Mittoo women in the hideous perforation of their lips; and I repeat that, if we except circumcision (which, according to the accounts of all the heathen negroes of equatorial Africa, is a custom they have received from their remote ancestors), this piercing of the ear is the one disfigurement of nature adopted by the Monbuttoo. On account of this practice the Khartoomers have conferred upon them the title of “Gurrugurroo,” i.e. “pierced,” in contradistinction to the Niam-niam in general, Niam-niam being, as I have said, the term used by the inhabitants of the Soudan for all cannibals, irrespective of their various nationalities.
Weapons of the Monbuttoo.
Figs. 1-9. Various scimitars. 10. Large dagger. 11. Hand-knife, for carving and peeling bark.
MONBUTTOO WEAPONS.
The weapons of the Monbuttoo warriors are very numerous. Besides shields and lances, they also carry bows and arrows, a combination somewhat rare amongst Africans; in addition to these, in their girdles they are accustomed to have scimitars with curved blades like sickles, whilst some of them use daggers and spatular knives of all shapes and sizes. The projectiles which are in use among the Niam-niam are not included in the equipment of the Monbuttoo.
Since the Monbuttoo dwell upon the red ferruginous soil extending from the Gazelle over a large portion of Central Africa, it may be assumed as a matter of course that smiths’ work must play an important part in their industrial pursuits, and indeed in this respect they excel all other natives of the districts through which I travelled, whilst in other branches of their manufacture they surpassed even the Mohammedans of Northern Africa.
The smelting process is of the most primitive description, and is the same that has been described by travellers in all parts of Africa. The simplicity of the arrangement is caused by the ventilating apparatus; for as the construction of valves is unknown, a continual draft is produced by means of two clay vessels, of which the openings are covered by the Monbuttoo smiths with plantain leaves, which have been allowed to simmer in hot water until they have become as flexible as silk: other nations cover the openings with soft skins. Although entirely without our pincers, hammers, and files, the Monbuttoo have a set of implements of their own, by means of which their iron-work is more carefully manipulated than that of any of their neighbours. Instead of the usual stone anvil, they use a miniature one of wrought iron, and on this each separate weapon is cut out with a chisel, and hammered until an approximate degree of sharpness is attained; the edge being brought to its finish by a piece of fine-ground sandstone or gneiss, which answers the purpose of a file. As a general rule, no special form is given to the iron used as a medium of exchange, unless indeed the great semicircular bars in the royal treasury be considered as currency, and which remind one of the rough copper rings that are brought from the mines of Darfoor.[23] Neither plates of iron nor round spades (melots) are in vogue, but the smiths have to work from great lumps of iron as large as the fist. The dexterity of these artificers is wonderful, and the short space of time in which they will convert the raw material into spades and lances is, I should think, unrivalled. The Monbuttoo smiths often joined our Bongo workmen at their forges in our camp, and as I had frequent opportunity of observing and comparing the two, I do not hesitate in asserting the decided superiority of the workmanship of the Monbuttoo.