The politicians of the Holy Alliance period believed that they had bound the spirit of the Revolution in everlasting chains, that they had broken, once and for all, the link which united the nineteenth century to the eighteenth. "Then this one man tied the knot again, which a million of soldiers had hewn through. American republicanism, German free-thought, French revolutionism, Anglo-Saxon radicalism—everything seemed combined in this one spirit. After the Revolution had been suppressed, the press gagged, and science induced to submit, the son of imagination, the outlawed poet, stepped into the breach," and called all vigorous intellects to arms again against the common enemy.[5] The restored monarchy does not really survive him. The principle of authority has never had a more inveterate opponent.
In literature the French reaction begins in the name of feeling with Madame de Staël and the whole group of writers connected with her; in society it begins in the name of order with Robespierre and those revolutionists who were his associates. Madame de Staël and Robespierre have this in common, that they are both pupils of Rousseau. After the reaction against Voltaire comes the reaction against Rousseau. On the festival of the Supreme Being follows the great Te Deum in Notre-Dame; on Madame de Staël follows Bonald. The principle of feeling is ousted, or employed, as in the writings of Chateaubriand, to support authority; the principle of order is merged in the principle of authority, which soon controls every domain of life and literature. This principle is, as it were, personified in the first group of reactionaries, led by Joseph de Maistre and Bonald. It has its epic in Les Martyrs, and the idea of order reigns in its poets' descriptions of heaven, of hell, and sometimes even of terrestrial scenery. It has its political monument in the Holy Alliance. The supernatural everywhere supplants the natural. We have not only seraphic epic, but also seraphic lyric poetry, seraphic love, pious pilgrimages, and seraphic predictions and visions.
In no country had the principle of authority in the domain of literary style received such homage and honour as in France. The new school itself begins by acknowledging it. But it unfortunately soon becomes evident that the principle of the newly introduced matter, namely, Christian tradition, is utterly at variance with the traditional principles of literature—and authority begins to totter. Much the same thing happens in another domain. The lady in whose brain the idea of the Holy Alliance originates stands in high favour with the powers as long as her principles seem entirely to coincide with theirs; the moment they discover that it is possible for Christian tradition to unsettle men's minds with regard to authority, they feel obliged to break the tool they have been using; and thenceforward the idea of the brotherhood of humanity is regarded as the source of rebellious feelings and doctrines which undermine authority. Lamennais is the author by whom the principle of authority is most consistently set forth and determinedly upheld during this period; but it soon becomes apparent that beneath his doctrine of the sovereignty of universal reason lies concealed the revolutionary doctrine of the sovereignty of the people; the principle, as it were, puts an end to itself. At this same time the enemies of the liberty of the press are compelled to make use of this liberty for their own purposes, and the enemies of parliamentary government defend parliamentary government in order to bring about the fall of a ministry which keeps them out of power. Soon all the personages whom we have watched appearing on the scene, from Chateaubriand to Madame de Krüdener, from Victor Hugo to Lamennais, are at war with the potentates whose cause they began by championing with such ardour, and at war with that principle of authority which had ruled themselves and the age.
And the principle falls, never to rise again.
[1] For particulars of this dismissal see Chateaubriand, Congrès de Vérone, ii, 502, & and Guizot, Mémoires pour servir à l'histoire de mon temps.
[2] Mémoires d'outre-tombe, vii. 269, &c.
[3] Chateaubriand, Congrès de Vérone, i. 20, 41; ii. 528.
[4] Congrès de Vérone, ii. 508-528.