In November 1825 Sir Walter Scott writes in his diary: "I saw Moore ... There is a manly frankness and perfect ease and good breeding about him which is delightful. Not the least touch of the poet or the pedant ... His countenance is decidedly plain, but the expression is so very animated, especially in speaking or singing, that it is far more interesting than the finest features could have rendered it. I was aware that Byron had often spoken, both in private society and his Journal, of Moore and myself in the same breath, and with the same sort of regard; so I was curious to see what there could be in common betwixt us, Moore having lived so much in the gay world, I in the country and with people of business, and sometimes with politicians; Moore a scholar, I none; he a musician and artist, I without knowledge of a note; he a democrat, I an aristocrat—with many other points of difference; besides his being an Irishman, I a Scotchman, and both tolerably national. Yet there is a point of resemblance, and a strong one. We are both good-humoured fellows, who rather seek to enjoy what is going forward than to maintain our dignity as lions; and we have both seen the world too widely and too well not to contemn in our souls the imaginary consequence of literary people, who walk with their noses in the air, and remind me always of the fellow whom Johnson met in an alehouse, and who called himself 'the great Twalmley—inventor of the floodgate iron for smoothing linen.' ... It would be a delightful addition to life if T. M. had a cottage within two miles of one.—We went to the theatre together, and the house, being luckily a good one, received T. M. with rapture. I could have hugged them, for it paid back the debt of the kind reception I met with in Ireland."

In these cordial words the great Scottish author compares himself with the Irish national poet. The resemblance between their position, as recognised and highly esteemed organs of the two dependent countries united to England, makes the difference between them the more clearly perceptible. There is, first of all, the dissimilarity produced by the dissimilar relations of Scotland and Ireland to the dominant race. Scotland's position was a subordinate one, but it was legally established, and the country sent representatives to Parliament. The Irish, on the other hand, divided by a much more marked difference of race, and, as regarded the majority, of religion, from their English masters, had been for six centuries under the rule of a Government in which they had no more share than have the Hindoos or the Cingalese in theirs. The Protestant Irish Parliament existed in its day in Ireland like a hostile garrison in a conquered country. It was a body of absolute rulers, governing and oppressing in the name of a foreign power; any attempt at opposition on the part of its members was at once put a stop to either by bribery or force. The Irish Protestant was not in reality in a better position than his Catholic fellow-countryman; he could purchase the favour of his masters only by sacrificing the interests of his country, and enjoyed only the one pitiful privilege of being at the same time vassal and master.

It has been a fortunate thing for the English people that their faults as well as their virtues have ensured them success in the struggle for political independence and power; their egoism and their pride have been of almost as much service to them as their sober sagacity and their energy. The Irish, on the other hand, seem, like the Poles, to be condemned both by their virtues and their vices to political subordination. Even making allowance for the fact that the character of the conquered race is invariably maligned in the descriptions of it given by the conqueror, it must be granted that the sprightliness, ardour, and charm of the Irish, their turbulent bravery, their fitful chivalry, their independent and, under certain conditions, rebellious tendencies, co-existing with a love of the pomp and splendour of royalty, form a bad foundation for a tranquil and independent existence as a state. The virtues of the Irish are not the modern, civic virtues, but those of an earlier age—their piety verges on the blindest superstition; their fidelity consists, like that of their Breton brothers, in a kind of vassal-fealty to the old nobility of the country, and their splendid bravery is of an undisciplined, impetuous nature. Long-continued oppression has, moreover, set its imprint on their souls. They lack self-confidence, and have a tendency to dissimulation and to indolence; they are too reckless of danger and too easily intimidated when brought face to face with it; they cannot, when liberty is granted them for a short time, make a good use of it, this being an art which can only be learned by long practice.

There are inexperienced races just as there are inexperienced individuals. One side of the Irish character has a strong resemblance to the French (and the Irish have always had a warm sympathy for the French), another reminds us of the Polish character, and there is a third which is almost Oriental. In a poem entitled "The Parallel" (one of the Irish Melodies), which Moore composed in answer to an anti-Irish pamphlet written to prove that the Irish were originally Jews, he compares the fate of the two nations:—

"Like thee doth our nation lie conquer'd and broken,
And fall'n from her head is the once royal crown;
In her streets, in her halls, desolation hath spoken,
And 'while it is day yet, her sun hath gone down.'"

And there undoubtedly is an Oriental quality in the race. Byron, writing of Moore, says that the wildness, tenderness, and originality of the Irish—the magnificent and fiery spirit of the men, the beauty and feeling of the women, are the best proofs of the Oriental descent which they claim. A race with such a character necessarily fell an easy prey to a determined, cruel English despotism.


THOMAS MOORE