[2] Mommsen, History of Rome, translated by W. P. Dickson, ed. 1894, vol. v. p. 371. Gaston Boissier, Cicéron et ses Amis, p. 224
[IX]
JULIUS CÆSAR—THE MERITS OF THE DRAMA—BRUTUS
None but a naïve republican like Swinburne can believe that it was by reason of any republican enthusiasm in Shakespeare's soul that Brutus became the leading character. He had assuredly no systematic political conviction, and manifests at other times the most loyal and monarchical habit of mind.
Brutus was already in Plutarch the protagonist of the Cæsar tragedy, and Shakespeare followed the course of history as represented by Plutarch, under the deep impression that an impolitic revolt, like that of Essex and his companions, can by no means stem the current of the time, and that practical errors revenge themselves quite as severely as moral sins—nay, much more so. The psychologist was now awakened in him, and he found it a fascinating task to analyse and present a man who finds a mission imposed upon him for which he is by nature unfitted. It is no longer outward conflicts like that in Romeo and Juliet between the lovers and their surroundings, or in Richard III., between Richard and the world at large, that fascinate him in this new stage of his development, but the inner processes and crises of the spiritual life.
Brutus has lived among his books and fed his mind upon Platonic philosophy; therefore he is more occupied with the abstract political idea of republican freedom, and the abstract moral conception of the shame of enduring a despotism, than with the actual political facts before his eyes, or the meaning of the changes which are going on around him. This man is vehemently urged by Cassius to place himself at the head of a conspiracy against his fatherly benefactor and friend. The demand throws his whole nature into a ferment, disturbs its harmony, and brings it for ever out of equilibrium.
On Hamlet also, who is at the same time springing to life in Shakespeare's mind, the spirit of his murdered father imposes the duty of becoming an assassin, and the claim acts as a stimulus, a spur to his intellectual faculties, but as a solvent to his character; so close is the resemblance between the situation of Brutus, with his conflicting duties, and the inward strife which we are soon to find in Hamlet.
Brutus is at war with himself, and therefore forgets to show others attention and the outward signs of friendship. His comrades summon him to action, but he hears no answering summons from within. As Hamlet breaks out into the well known words:—