1. Jambûdvîpa-bharata-kshetra.
2. Dhâtukî-khanda pûrva-bharata.
3. Dhâtukî-khanda paśchima-bharata.
4. Pushkarârddha pûrva-bharata.
5. Pushkaravaradvîpa paśchima-bharata.
6. Jambûdvîpa airâvata-kshetra.
7. Dhâtukî-khanda pûrva-airâvata.
8. Dhâtukî-khanda paśchima-airâvata.
9. Pushkarârdhadvîpa pûrva-airâvata.
10. Puskarârddha paśchima-airâvata.

To each of these is allotted twenty four past, present and future Atîts or Jinas,--making in all 720 of this class, for which they have invented names: but they are only names. [[1]]

Of the Tîrthakaras of the present age or avasarpini in the Bharata-varsha of Jambûdvîpa, however, we are supplied with minute details:--their names, parents, stations, reputed ages, complexions, attendants, cognizances (chihna) or characteristics, etc. and these details are useful for the explanation of the iconography we meet with in the shrines of Jaina temples. There the images of the Tîrthakaras are placed on highly sculptured thrones and surrounded by other smaller attendant figures. In temples of the Śvetâmbara sect the images are generally of marble--white in most cases, but often black for images of the 19th, 2Oth, 22nd and 23rd Jinas. On the front of the throne or âsana are usually carved three small figures: at the proper right of the Jina is a male figure representing the Yaksha attendant or servant of that particular Jina; at the left end of the throne is the corresponding female--or Yakshinî, Yakshî or Śâsanadevî; whilst in a panel in the middle there is often another devî. At the base of the seat also, are placed nine very small figures representing the navagraha or nine planets; that is the sun, moon, five planets, and ascending and descending nodes.

In the Jaina Purânas, legends are given to account for the connexion of the Yakshas and Yakshîs with their respective Tîrthakaras: thus, in the case of Pârśvanâtha, we have a story of two brothers Marubhûti and Kamatha, who in eight successive incarnations were always enemies, and were finally born as Pârśvanâtha and Sambaradeva respectively. A Pâshanda or unbeliever, engaged in the panchâgni rite, when felling a tree for his fire, against the remonstrance of Pârśvanâtha, cut in pieces two snakes that were in it; the Jina, however restored them to life by means of the pañchamantra. They were then re-born in Pâtâla-loka as Dharanendra or Nâgendra-Yaksha and Padmâvatî-Yakshinî. When Sambaradeva or Meghakumâra afterwards attacked the Arbat with a great storm, whilst he was engaged in the Kâyotsarga austerity--standing immovable, exposed to the weather--much in the way that Mâra attacked Śâkya Buddha at Bodh-gayâ, Dharanendra's throne in Pâtâla thereupon shook, and the Nâga or Yaksha with his consort at once sped to the protection of his former benefactor. Dharanendra spread his many hoods over the head of the Arhata and the Yakshm[postvocalic]

î Padmâvatî held a white umbrella (śveta chhatri) over him for protection. Ever after they became his constant attendants, just as Śakra was to Buddha. The legend is often represented in old-sculptures, in the cave-temples at Bâdâmi, Elura, etc., and the figure of Pârśva is generally carved with the snake-hoods (Śeshaphan

i) over him. [[2]]

Other legends account for the attachment of each pair of Śâsanadevatâs to their respective Jinas.

The Śvetâmbaras and Digambaras agree generally in the details respecting the different Tîrthakaras; but, from information furnished from Maisur, they seem to differ as to the names of the Yakshinis attached to the several Tîrthakaras, except the first and last two; they differ also in the names of several of the Jinas of the past and the future aeons. The Digambaras enlist most of the sixteen Vidyâdevis or goddesses of knowledge among the Yakshinîs, whilst the other sect include scarcely a third of them.

These Vidyâdevîs, as given by Hemachandra, are--(1) Rohinî; (2) Prajñaptî; (3) Vajrasr

ińkhalâ; (4) Kuliśânkuścâ--probably the Ankuśa-Yakshî of the Śvetàmbâra fourteenth Jina; (5) Chakreśvarî; (6) Naradattâ or Purushadattâ; (7) Kâli or Kâlîkâ; (8) Mahákâlî; (9) Gaurî; (10) Gândhârî; (11) Sarvâstramahâjvâlâ; (12) Mânavî; (13) Vairotyâ; (14) Achchhuptâ; (15) Mânasî; and (16) Mahâmânasikâ.