"Yes, you must come; the pole of my cart is broken."
Phaon had been so accustomed to be always called upon whenever there were any of the little girl's playthings to mend that he obeyed, and the next day allowed her to persuade him to do many things for which he felt no inclination.
He yielded in order not to grieve her, and, as he became more cheerful and even joined in her merry laugh, Xanthe rejoiced as if she had released him from his sorrow. From that time she claimed his services as eagerly as before, but in her own heart felt as if she were his little mother, and watched all his actions as though specially commissioned to do so.
When she had grown up she did not hesitate to encourage or blame him, nay, was often vexed or grieved about him, especially if in the games or dances he paid more attention than she deemed reasonable to other girls, against whom there was much or little objection, nay, often none at all. Not on her own account, she said to herself, it could make no difference to her, but she knew these girls, and it was her duty to warn him.
She willingly forgave many things, but on this point was extremely rigid, and even allowed anger to carry her to the verge of rudeness.
Now, as she stood beside the sepulchre, she thought of the hour when she had comforted him, of her care for him and how it had all been vain, for he spent his nights in rioting with flute-playing women. Yes, Semestre had said so. He seemed to Xanthe lost, utterly lost.
When she wept in the morning beside the spring, it was not, she now thought, because of the heiress from Messina; no, the tears that had sprung to her eyes were like those a mother sheds for her erring son.
She seemed to herself extremely venerable, and would have thought it only natural if gray hair instead of golden had adorned the head over which scarcely seventeen years had passed.
She even assumed the gait of a dignified matron, but it was hardly like a mother, when, on her way to the rose-bushes by the sea, she studiously strove to misunderstand and pervert everything good in Phaon, and call his quiet nature indolence, his zeal to be useful to her weakness, his taciturn manner mere narrow-mindedness, and even his beautiful, dreamy eyes sleepy.
With all this, the young girl found little time to think of the new suitor; she must first shatter the old divine image, but every blow of the hammer hurt her as if it fell upon herself.