The Pyramids lay on the left bank of the Nile, in the silver moonshine, massive and awful, as if bruising the earth beneath them with their weight; the giant graves of mighty rulers. They seemed examples of man's creative power, and at the same time warnings of the vanity and mutability of earthly greatness. For where was Chufu now,—the king who had cemented that mountain of stone with the sweat of his subjects? Where was the long-lived Chafra who had despised the gods, and, defiant in the consciousness of his own strength, was said to have closed the gates of the temples in order to make himself and his name immortal by building a tomb of superhuman dimensions?

[Herodotus repeats, in good faith, that the builders of the great Pyramids were despisers of the gods. The tombs of their faithful subjects at the foot of these huge structures prove, however, that they owe their bad repute to the hatred of the people, who could not forget the era of their hardest bondage, and branded the memories of their oppressors wherever an opportunity could be found. We might use the word "tradition" instead of "the people," for this it is which puts the feeling and tone of mind of the multitude into the form of history.]

Their empty sarcophagi are perhaps tokens, that the judges of the dead found them unworthy of rest in the grave, unworthy of the resurrection, whereas the builder of the third and most beautiful pyramid, Menkera, who contented himself with a smaller monument, and reopened the gates of the temples, was allowed to rest in peace in his coffin of blue basalt.

There they lay in the quiet night, these mighty pyramids, shone on by the bright stars, guarded by the watchman of the desert—the gigantic sphinx,—and overlooking the barren rocks of the Libyan stony mountains. At their feet, in beautifully-ornamented tombs, slept the mummies of their faithful subjects, and opposite the monument of the pious Menkera stood a temple, where prayers were said by the priests for the souls of the many dead buried in the great Memphian city of the dead. In the west, where the sun went down behind the Libyan mountains, where the fruitful land ended and the desert began—there the people of Memphis had buried their dead; and as our gay party looked towards the west they felt awed into a solemn silence.

But their boat sped on before the north-wind; they left the city of the dead behind them and passed the enormous dikes built to protect the city of Menes from the violence of the floods; the city of the Pharaohs came in sight, dazzlingly bright with the myriads of flames which had been kindled in honor of the goddess Neith, and when at last the gigantic temple of Ptah appeared, the most ancient building of the most ancient land, the spell broke, their tongues were loosed, and they burst out into loud exclamations of delight.

It was illuminated by thousands of lamps; a hundred fires burnt on its Pylons, its battlemented walls and roofs. Burning torches flared between the rows of sphinxes which connected the various gates with the main building, and the now empty house of the god Apis was so surrounded by colored fires that it gleamed like a white limestone rock in a tropical sunset. Pennons, flags and garlands waved above the brilliant picture; music and loud songs could be heard from below.

"Glorious," cried Rhodopis in enthusiasm, "glorious! Look how the painted walls and columns gleam in the light, and what marvellous figures the shadows of the obelisks and sphinxes throw on the smooth yellow pavement!"

"And how mysterious the sacred grove looks yonder!" added Croesus. "I never saw anything so wonderful before."

"I have seen something more wonderful still," said Darius. "You will hardly believe me when I tell you that I have witnessed a celebration of the mysteries of Neith."

"Tell us what you saw, tell us!" was the universal outcry.