She had found a hospitable welcome in the family of a seafarer who were relatives, while the Gaul continued his voyage to obtain information about his tribe in Syria. But he had already returned when Bias reached Pitane with the two talents intended for him. Myrtilus had availed himself of Ledscha’s permission long before and gone to Pergamus, where he had lived and worked in secrecy until, after the freedman’s return from Ledscha, who at once left Pitane with the Gaul, he was released from his oath.
During the absence of Bias he had modelled a large relief, a triumphal procession of Dionysus, and as the renown of his name had previously reached Pergamus, the artists and the most distinguished men in the city flocked to his studio to admire the work of the famous Alexandrian.
Soon Philetoerus, who had founded the Pergamenian kingdom seven years before, and governed it with great wisdom, came to Myrtilus.
Like his nephew and heir Eumenes, he was a friend to art, and induced the laurel-crowned Alexandrian to execute the relief, modelled in clay, in marble for the Temple of Dionysus at Pergamus.
The heir to the throne of Philetaerus, who was now advancing in years, was especially friendly to Myrtilus, and did everything in his power to bind him to Pergamus.
He succeeded, for in the beautiful house, located in an extremely healthful site, which Eumenes had assigned for a residence and studio to the Alexandrian artist, whose work he most ardently admired, and whom he regarded as the most welcome of guests, Myrtilus felt better physically than he had for years. Besides, he thought that, for many reasons, his friend would be less willing to settle in Alexandria, and that the presence of his uncle and Daphne would attract him to Pergamus.
Moreover, Hermon surely knew that if he came to him as a blind man he would find a brother; if he came restored to sight, he would also find a brother, and likewise a fellow-artist with whom he could live and work.
Myrtilus had told the heir to the throne of Pergamus of his richly gifted blind relative, and of the peculiarity of his art, and Eumenes eagerly endeavoured to induce his beloved guest to persuade his friend to remove to his capital, where there was no lack of distinguished leeches.
If Hermon remained blind, he would honour him; if he recovered his sight, he would give him large commissions.
How deeply these letters moved the heart of the recovering man! What prospects they opened for his future life, for love, friendship, and, not least, for his art!