She stood here as a judge.
She must know whether she had been betrayed or deceived.
He should confess what his intentions toward her were. The next moments must decide the fate of her life, and she added, drawing a long breath, perhaps of his also.
Suddenly Ledscha started. She had not heard Hermon enter the studio, and was now startled by his greeting.
It was not positively unkind, but certainly not a lover’s.
Perhaps the words might have been warmer, but for his annoyance at the insolent boldness with which she had removed the coverings from his works. He restrained himself from openly blaming her, it is true, but he exclaimed, with a tinge of gay sarcasm: “You seem to feel very much at home here already, fairest of the fair. Or was it the goddess herself who removed the curtain from her image in order to show herself to her successor upon this pedestal?”
But the question was to remain unanswered, for under the spell of the resentment which filled her heart, and in the effort not to lose sight of the object that brought her here, Ledscha had only half understood its meaning, and pointing her slender forefinger at the face of his completed work, she demanded to know whom she recognised in this statue.
“The goddess Demeter,” he answered quietly; “but if it pleases you better, as you seem to be on the right track, also the daughter of Archias.”
Then, angered by the wrathful glance she cast at him, he added more sternly: “She is kind-hearted, free from disagreeable whims and the disposition to torture others who are kindly disposed toward her. So I adorned the goddess with her pleasant features.”
“Mine, you mean to say,” Ledscha answered bitterly, “would be less suitable for this purpose. Yet they, too, can wear a different expression from the present one. You, I think, have learned this. Only I shall never acquire the art of dissimulation, not even in your society.”