This friendly remembrance of her young fellow-artist cheered Barbara, and when a fight began, which was carried on by a dozen trained champions brought from Strasburg expressly for this purpose, she turned her attention to it.
At first this dealing blows at one another with blunt weapons offered her little amusement; but when shouts from the tent and the stands cheered the men from the Mark, and powerful blows incensed to fury those who were struck, the scene began to enthral her.
A handsome, agile youth, to her sincere regret, had just fallen, but swiftly recovered his elasticity, and, springing to his feet, belaboured his opponent, a clumsy giant, so skilfully and vigorously that the bright blood streamed down his ugly face and big body. Barbara's cheeks flushed with sympathy. That was right. Skill and grace ought everywhere to conquer hideous rude force.
If she had been a man she would have found her greatest happiness, as her father did, in battle, in measuring her own strength with another's. Now she was obliged to defend herself with other weapons than blunt swords, and when she saw the champions, six against six, again rush upon one another, and one side drive the other back, her vivid imagination transported her into the midst of the victors, and it seemed as if the marquise and the whole throng of arrogant dames in the tent, as well as the Ratisbon women on the stands who had insulted her by their haughty airs of virtue, were fleeing from her presence.
How repulsive these envious, hypocritical people were! How she hated everything that threatened to estrange her lover's heart! To them also belonged the scoundrel who, she supposed, had betrayed the sale of the star to the Emperor. She resolved to confess to Charles how she had been led to commit this offence, which was indeed hard to forgive. Perhaps all would then be well again, for in this unfortunate action she could recognise the sole wrong which she had ever inflicted upon her lover. She could not help attributing his humiliating manner to it alone, for her love had always remained the same, and only yesterday, after she had sung before the Duke of Saxony, Appenzelder, who never flattered, had assured her that her voice had gained in power, her expression in depth, and she herself felt that it was so.
Music was still the firmest bond that united her to her lover. So long as her art remained faithful, he could not abandon her. This conviction was transformed into certainty when the final performance began, and the Ratisbon choir, under the direction of Damian Feys, commenced the mighty hymn with which the composer, Jean Courtois, had greeted the Emperor Charles in Cambray:
"Venite populi terrai"—"Come hither, ye nations of the earth"—this motet for four voices called imperiously to all mankind like a joyous summons.
"Ave Cesar, ave majestas sacra," sounded in solemn, religious tones the greeting to the greatest of monarchs. It seemed to transport the listener to the summit of the cathedral, as the choir now called to the ruler that the earth was full of his renown. The Ratisbon singers and the able Feys did their best, and this mighty act of homage of all the nations of the earth by no means failed to produce its effect upon him to whom it was addressed.
While Barbara listened, deeply agitated, she did not avert her eyes from her lover's face, which was brightly illumined by a pyramid of candles on each side of the two thrones.
Every trace of weariness, indifference, and discomfort had vanished from Charles's features. His heart, like hers—she knew it—was now throbbing higher. If he had just been enduring pain, this singing must have driven it away or lessened it, and he had certainly felt gratefully what power dwells in the divine art.