“The twins—little Alexander!” interrupted Cleopatra, with blanched face and faltering voice. “Put on their festal garments.”

“Quick—the children, Zoe!” cried Iras, completing the order and clapping her hands. Then she turned to the Queen with the entreaty: “Be calm, my royal mistress, be calm, I beseech you. We have ample time. Here is the vulture crown of Isis, and here the other. Antony’s slave, Eros, has just come in, panting for breath. The Imperator, he says, will appear as the new Dionysus. It would certainly please his master—though he had not commissioned him to request it—if you greeted him as the new Isis.—Help me, Hathor. Nephoris, tell the usher to see that the fan-bearers and the other attendants, women and men, are in their places.—Here are the pearl and diamond necklaces for your throat and bosom. Take care of the robe. The transparent bombyx is as delicate as a cobweb, and if you tear it—— No, you must not refuse. We all know how it pleases him to see his goddess in divine majesty and beauty.”

Cleopatra, with glowing cheeks and throbbing heart, made no further objection to donning the superb festal robe, strewn with glimmering pearls and glittering gems. It would have been more in harmony with her feelings to meet the returning Antony in the plain, dark garb which, since her arrival at home, she had exchanged for a richer one only on festal occasions; but Antony was coming as the new Dionysus, and Eros knew what would please his master.

Eight nimble hands, which were often aided by Iras’s skilful fingers, toiled busily, and soon the latter could hold up the mirror before Cleopatra, exclaiming from the very depths of her heart, “Like the foam-born Aphrodite and the golden Hathor!”

Then Iras, who, in adorning her beloved mistress, had forgotten love, hate, and envy, and amid her eager haste barely found time for a brief, fervent prayer for a happy issue of this meeting, threw the broad folding-doors as wide as if she were about to reveal to the worshippers in the temple the image of the god in the innermost sanctuary.

A long, echoing shout of surprise and delight greeted the Queen, for the courtiers, hastily summoned, were already awaiting her without, from the grey-haired epistolograph to the youngest page. Regally attired women in her service raised the floating train of her cloak; others, in sacerdotal robes, were testing the ease of movement of the rings on the sistrum rods, men and boys were forming into lines according to the rank of each individual, and the chief fan-bearer gave the signal for departure. After a short walk through several halls and corridors, the train reached the first court-yard of the palace, and there ascended the few steps leading to the broad platform at the entrance-gate which overlooked the whole Bruchium and the Street of the King, down which the expected hero would approach.

The distant uproar of the multitude had sounded threatening, but now, amid the deafening din, they could distinguish every shout of welcome, every joyous greeting, every expression of delight, surprise, applause, admiration, and homage, known to the Greek and Egyptian tongues.

Only the centre and end of the procession were visible. The head had reached the Corner of the Muses, where, concealed by the old trees in the garden, it moved on between the Temple of Isis and the land owned by Didymus. The end still extended to the Choma, whence it had started.

All Alexandria seemed to have joined it.

Men large and small, of high and low degree, old and young, the lame and the crippled, mingled with the throng, sweeping onward among horses and carriages, carts and beasts of burden, like a mountain torrent dashing wildly down to the valley. Here a loud shriek rang from an overturned litter, whose bearers had fallen. Yonder a child thrown to the ground screamed shrilly, there a dog trodden under the feet of the crowd howled piteously. So clear and resonant were the shouts of joy that they rose high above the flutes and tambourines, the cymbals and lutes of the musicians, who followed the man approaching in the robes of a god.