Cleopatra had sought the venerable Anubis, who now, as the priest of Alexander, at the age of eighty, ruled the whole hierarchy of the country. It was difficult for him to leave his arm-chair, but he had been carried to the observatory to examine the adverse result of the observation made by the Queen herself. The position of the stars, however, had been so unfavourable that the more deeply Cleopatra entered into these matters, the less easy he found it to urge the mitigating influences of distant planets, which he had at first pointed out.

In his reception-hall, however, the chief priest had assured her that the independence of Egypt and the safety of her own person lay in her hands; only—the planets showed this—a terrible sacrifice was required—a sacrifice of which his dignity, his eighty years, and his love for her alike forbade him to speak. Cleopatra was accustomed to hear these mysterious sayings from his lips, and interpreted them in her own way. Many motives had induced her to seek the venerable prelate at this late hour. In difficult situations he had often aided her with good counsel; but this time she was not led to him by the magic cup of Nektanebus, which the eight pastophori who accompanied it had that day restored to the temple, for since the battle of Actium the superb vessel had been a source of constant anxiety to her.

Cleopatra had now asked the teacher of her childhood the direct question whether the cup—a wide, shallow vessel, with a flat, polished bottom could really have induced Antony to leave the battle and follow her ere the victory was decided. She had used it just before the conflict between the galleys, and this circumstance led Anubis to answer positively in the affirmative.

Long ago the marvellous chalice had been exhibited to her among the temple treasures, and she was told that every one who induced another person to be reflected from its shining surface obtained the mastery over his will. Her wish to possess it, however, was not gratified, and she did not ask for it again until the limitless devotion and ardent love of Antony had seemed less fervent than of yore. From that time she had never ceased to urge her aged friend to place the wondrous cup in her keeping. At first he had absolutely refused, predicting that its use would bring misfortune upon her; but when her request was followed by an imperative command, and the goblet was entrusted to her, Anubis himself believed that this one vessel did possess the magic power attributed to it. He deemed that the drinking-cup afforded the strongest proof of the magic art, far transcending human ability, of the great goddess by whose aid King Nektanebus—who, according to tradition, was the father of Alexander the Great—was said to have made the vessel in the Isis island of Philoe.

Anubis had intended to remind Cleopatra of his refusal, and show her the great danger incurred by mortals who strove to use powers beyond their sphere. It had been his purpose to bid her remember Phaeton, who had almost kindled a conflagration in the world, when he attempted, in the chariot of his father, Phoebus Apollo, to guide the horses of the sun. But this was unnecessary, for he had scarcely assented to the question ere, with passionate vehemence, she ordered him to destroy before her eyes the cup which had brought so much misfortune.

The priest feigned that her desire harmonized with a resolution which he had himself formed. In fact, before her arrival, he had feared that the goblet might be used in some fatal manner if Octavianus should take possession of the city and country, and the wonder-working vessel should fall into his hands. Nektanebus had made the cup for Egypt. To wrest it from the foreign ruler was acting in the spirit of the last king in whose veins had flowed the blood of the Pharaohs, and who had toiled with enthusiastic devotion for the independence and liberty of his people. To destroy this man's marvellous work rather than deliver it to the Roman conqueror seemed to the chief priest, after the Queen's command, a sacred duty, and as such he represented it to be when he commanded the smelting furnace to be fired and the cup transformed into a shapeless mass before the eyes of Cleopatra.

While the metal was melting he eagerly told the Queen how easily she could dispense with the vessel which owed its magic power to the mighty Isis.

The spell of woman's charms was also a gift of the goddess. It would suffice to render Antony's heart soft and yielding as the fire melted the gold. Perhaps the Imperator had forfeited, with the Queen's respect, her love—the most priceless of blessings. He, Anubis, would regard this as a great boon of the Deity; "for," he concluded, "Mark Antony is the cliff which will shatter every effort to secure to my royal mistress undiminished the heritage which has come to her and her children from their ancestors, and preserve the independence and prosperity of this beloved land. This cup was a costly treasure. The throne and prosperity of Egypt are worthy of greater sacrifices. But I know that there is none harder for a woman to make than her love."

The meaning of the old man's words Cleopatra learned the following morning, when she granted the first interview to Timagenes, Octavianus's envoy.

The keen-witted, brilliant man, who had been one of her best teachers and with whom, when a pupil, she had had many an argument, was kindly received, and fulfilled his commission with consummate skill.