He confided his feelings, and the fact that he knew the artist, to his young neighbour, but she had turned deadly pale and lowered her eyes. While looking on she had felt as though she herself was in danger of falling into the depths. Giddiness had seized her, and her heart, whose tendency to disease had long awakened the apprehension of the physicians, contracted convulsively. The sight of a fellow-being hovering in mortal peril above her head seemed unendurable. Not until she followed Lienhard's advice and avoided looking up, did she regain her calmness. Her changeful temperament soon recovered its former cheerfulness, and the friend at her side to whom the lovely child, with her precocious mental development, appeared like the fairest marvel, took care, often as he himself looked upward, that she should be guarded from a second attack of weakness.
The storm of applause from below, in which Lienhard also joined, fanned the flames of desire for admiration in Kuni's breast to a fiery glow. She would show him, too, what she could do—compel him to applaud her. She would force him away from the little temptress, and oblige him to gaze up at her whose art—she learned this daily—possessed the power to fix the attention of spectators like the thrall of the basilisk's eye. When on the rope she was no insignificant personage. He should tremble for her as did the gray-haired, scarred captain of the foot soldiers, Mannsbach, the day before yesterday. He had told her that his heart had throbbed more anxiously during her daring feats than on the bloodiest field of battle.
She moved forward more swiftly to the time of the lively dancing tune which the city pipers were playing. Midway along the rope she turned, ran back to the cross-shaped trestle at the steeple window, handed the balancing pole to Loni, and received a cage filled with doves. Each one bore around its neck a note containing an expression of homage to the Emperor Maximilian, and they were all trained to alight near the richly decorated throne which was now occupied by the chivalrous monarch. The clown who, with a comical show of respect, offered her what she needed for her next feat, told her this.
Loni, sure of being heard by no unbidden ear, called to her from the window:
"Art is honoured to-day, my girl."
The clown added jocosely:
"Who else was ever permitted to walk over the anointed head of our lord the Emperor?"
But Kuni would not have needed such encouragement. Doubtless she felt flattered by the consciousness of attracting even the sovereign's glance, but what she intended to do immediately was for the purpose of compelling another person to watch her steps with fear and admiration. Crossing her feet, she threw back her garlanded head and drew a long breath. Then she hastily straightened herself, and with the bird cage in one hand and the winged staff of Mercury, which the clown had handed to her, in the other, she advanced to the centre of the rope. There she opened the cage as steadily as if she had been standing on the floor of her own room. The birds fluttered through the little door and went, with a swift flight, directly to their goal. Then, below and beside her, from every place occupied by spectators, and from hundreds of windows, rose thunders of applause; but it seemed to her as if the roaring of the surging sea was in her ears. Her heart throbbed under her pink silk bodice like an iron hammer, and in the proud consciousness of having probably attained already what she desired, and, besides thousands of other eyes, fixed Lienhard's upon her as if with chains and bonds, she was seized with the ambitious desire to accomplish something still more amazing. The man to whom her heart clung, the Emperor, the countless multitude below, were all at this time subject to her in heart and mind. They could think and feel nothing except what concerned her, her art, and her fate. She could and would show to Lienhard, to the Emperor, to all, what they had never witnessed. They should turn faint with sympathizing anxiety. She would make then realize what genuine art, skill, and daring could accomplish. Everything else, even the desire for applause, was forgotten. Though her performance might be called only a perilous feat, she felt it to be true, genuine art. Her whole soul was merged in the desire to execute, boldly and yet gracefully, the greatest and most perfect performance attainable by a ropedancer. With beads of perspiration on her brow, and eyes uplifted, she threw the cage aside, swung her Mercury staff aloft, and danced along the rope in waltz time, as though borne by the gods of the wind. Whirling swiftly around, her slender figure darted in graceful curves from one end of the narrow path to the other. Then the applause reached the degree of enthusiastic madness which she desired; even Loni clapped his hands from the steeple window. She had never seen him do this to any of the company. Yes, she must have accomplished her purpose well; but she would show him and the others something still more wonderful. What she had just done was capable of many additional feats; she had tried it.
With fluttering hands and pulses she instantly loosed from her panting bosom and her hips the garland of roses and leaves twined about the upper portion of her body, and swung it around her in graceful curves as she knelt and rose on the rope.
She had often jumped rope on the low rope, turning completely around so that she faced the other way. To repeat this performance on the one stretched to the steeple would certainly not be expected from her or from any other. Suppose she should use the garland as a rope and venture to leap over it on this giddy height? Suppose she should even succeed in turning around? The rope was firm. If her plan was successful, she would have accomplished something unprecedented; if she failed—if, while turning, she lost her balance—her scanty stock of pleasure here below would be over, and also her great grief and insatiable yearning. One thing was certain: Lienhard would watch her breathlessly, nay, tremble for her. Perhaps it was too much to hope that he would mourn her sincerely, should the leap cost her life; but he would surely pity her, and he could never forget the moment of the fall, and therefore herself. Loni would tear the gold circlet from his dyed black locks and, in his exaggerated manner, call himself a son of misfortune, and her the greatest artist who had ever trodden the rope. All Augsburg, all the dignitaries of the realm, even the Emperor, would pity her, and the end of her life would be as proud and as renowned as that of the chivalrous hero who dies victor on the stricken field. If the early part of her life had been insignificant and wretched, its close should be grand and beautiful.